Join host Erin Helyard as he takes us on a sweeping exploration of the origins of Maid Made Boss, the tradition of the intermezzo, the political and philosophical tensions of mid-century Paris, and how one clever servant girl helped change the course of operatic history.
Musical excerpt 1 - Taryn Fiebig as Erighetta and Richard Anderson as Don Chilone in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical cxcerpt 2 - Taryn Fiebig as Erighetta in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical excerpt 3 - Christian Immler as Uberto, "Aspettare e non venire" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 4 - Amanda Forsythe as Serpina "A serpina penserete qualche" volta from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 5 - Christian Immler as Uberto "Son imbrogliato io già" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 6 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Antipodes (2017)
Musical excerpt 7 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Anitpodes. (2017)
Closing excerpt from the Overture of Erighetta e Don Chilone by Vinci. Conducted by Erin Helyard with Orchestra of the Antipodes (Pinchgut Opera 2017)
Music credits:
Pergolesi: La serva padrona & Livietta e Tracollo
℗ 2023 CPO
Released on: 2023-12-05
Orchestra: Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette
Conductor: Stephen Stubbs
Lyricist: Genarro Antonio Federico
Composer: Giovanni Battista Pergolesi
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Join host Erin Helyard as he takes us on a sweeping exploration of the origins of Maid Made Boss, the tradition of the intermezzo, the political and philosophical tensions of mid-century Paris, and how one clever servant girl helped change the course of operatic history.
Musical excerpt 1 - Taryn Fiebig as Erighetta and Richard Anderson as Don Chilone in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical cxcerpt 2 - Taryn Fiebig as Erighetta in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical excerpt 3 - Christian Immler as Uberto, "Aspettare e non venire" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 4 - Amanda Forsythe as Serpina "A serpina penserete qualche" volta from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 5 - Christian Immler as Uberto "Son imbrogliato io già" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 6 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Antipodes (2017)
Musical excerpt 7 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Anitpodes. (2017)
Closing excerpt from the Overture of Erighetta e Don Chilone by Vinci. Conducted by Erin Helyard with Orchestra of the Antipodes (Pinchgut Opera 2017)
Music credits:
Pergolesi: La serva padrona & Livietta e Tracollo
℗ 2023 CPO
Released on: 2023-12-05
Orchestra: Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette
Conductor: Stephen Stubbs
Lyricist: Genarro Antonio Federico
Composer: Giovanni Battista Pergolesi
Earlier on Baroque Banter we discussed French Imports, and looked at how Italian musicians found their way into France in the seventeenth century, and what the French did with their dances and their opera. Although the flow of music was very strong from Italy to France, French developments and dances also made their way to other countries. In this episode of Baroque Banter we discuss French exports in the seventeenth and eighteenth centuries: we look at the French overture, French dances, French performance practice and French dancing masters!
Baroque Banter
Join host Erin Helyard as he takes us on a sweeping exploration of the origins of Maid Made Boss, the tradition of the intermezzo, the political and philosophical tensions of mid-century Paris, and how one clever servant girl helped change the course of operatic history.
Musical excerpt 1 - Taryn Fiebig as Erighetta and Richard Anderson as Don Chilone in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical cxcerpt 2 - Taryn Fiebig as Erighetta in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical excerpt 3 - Christian Immler as Uberto, "Aspettare e non venire" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 4 - Amanda Forsythe as Serpina "A serpina penserete qualche" volta from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 5 - Christian Immler as Uberto "Son imbrogliato io già" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 6 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Antipodes (2017)
Musical excerpt 7 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Anitpodes. (2017)
Closing excerpt from the Overture of Erighetta e Don Chilone by Vinci. Conducted by Erin Helyard with Orchestra of the Antipodes (Pinchgut Opera 2017)
Music credits:
Pergolesi: La serva padrona & Livietta e Tracollo
℗ 2023 CPO
Released on: 2023-12-05
Orchestra: Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette
Conductor: Stephen Stubbs
Lyricist: Genarro Antonio Federico
Composer: Giovanni Battista Pergolesi
