Join host Erin Helyard as he takes us on a sweeping exploration of the origins of Maid Made Boss, the tradition of the intermezzo, the political and philosophical tensions of mid-century Paris, and how one clever servant girl helped change the course of operatic history.
Musical excerpt 1 - Taryn Fiebig as Erighetta and Richard Anderson as Don Chilone in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical cxcerpt 2 - Taryn Fiebig as Erighetta in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical excerpt 3 - Christian Immler as Uberto, "Aspettare e non venire" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 4 - Amanda Forsythe as Serpina "A serpina penserete qualche" volta from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 5 - Christian Immler as Uberto "Son imbrogliato io già" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 6 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Antipodes (2017)
Musical excerpt 7 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Anitpodes. (2017)
Closing excerpt from the Overture of Erighetta e Don Chilone by Vinci. Conducted by Erin Helyard with Orchestra of the Antipodes (Pinchgut Opera 2017)
Music credits:
Pergolesi: La serva padrona & Livietta e Tracollo
℗ 2023 CPO
Released on: 2023-12-05
Orchestra: Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette
Conductor: Stephen Stubbs
Lyricist: Genarro Antonio Federico
Composer: Giovanni Battista Pergolesi
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Join host Erin Helyard as he takes us on a sweeping exploration of the origins of Maid Made Boss, the tradition of the intermezzo, the political and philosophical tensions of mid-century Paris, and how one clever servant girl helped change the course of operatic history.
Musical excerpt 1 - Taryn Fiebig as Erighetta and Richard Anderson as Don Chilone in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical cxcerpt 2 - Taryn Fiebig as Erighetta in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical excerpt 3 - Christian Immler as Uberto, "Aspettare e non venire" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 4 - Amanda Forsythe as Serpina "A serpina penserete qualche" volta from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 5 - Christian Immler as Uberto "Son imbrogliato io già" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 6 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Antipodes (2017)
Musical excerpt 7 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Anitpodes. (2017)
Closing excerpt from the Overture of Erighetta e Don Chilone by Vinci. Conducted by Erin Helyard with Orchestra of the Antipodes (Pinchgut Opera 2017)
Music credits:
Pergolesi: La serva padrona & Livietta e Tracollo
℗ 2023 CPO
Released on: 2023-12-05
Orchestra: Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette
Conductor: Stephen Stubbs
Lyricist: Genarro Antonio Federico
Composer: Giovanni Battista Pergolesi
Baroque Banter: Episode 16 - Pre-performance podcast - Women of the Pietà
Baroque Banter
15 minutes 48 seconds
3 years ago
Baroque Banter: Episode 16 - Pre-performance podcast - Women of the Pietà
Pinchgut Opera’s pre-concert podcast, hosted by Genevieve Lang, with guest, Pinchgut Opera Artistic Director, Erin Helyard.
For over three centuries, Venice was home to a special institution unique in music history: the ospedali. These were inaugurated as state-run shelters for poor or homeless children and the ospedali provided the very first formally organised music education for female musicians outside the convent. Between 1585 and 1855 the ospedali employed the very best professional musicians in Europe to educate the women who boarded there, and in the early eighteenth century the Pietà boasted the most famous musician of them all: Antonio Vivaldi.
Join Genevieve and Erin as they explore the little-known history of the women and girls of the Ospedale della Pietà, who were amongst the leading singers and instrumentalists of their time, with the composer and philosopher Jean-Jacques Rousseau quoted as saying, "I have not an idea of anything so voluptuous and affecting as this music...."
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A transcendent concert experience awaits you this September with the divine element of the female voice at its heart as Pinchgut Opera presents Women of the Pietà.
Baroque Banter
Join host Erin Helyard as he takes us on a sweeping exploration of the origins of Maid Made Boss, the tradition of the intermezzo, the political and philosophical tensions of mid-century Paris, and how one clever servant girl helped change the course of operatic history.
Musical excerpt 1 - Taryn Fiebig as Erighetta and Richard Anderson as Don Chilone in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical cxcerpt 2 - Taryn Fiebig as Erighetta in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical excerpt 3 - Christian Immler as Uberto, "Aspettare e non venire" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 4 - Amanda Forsythe as Serpina "A serpina penserete qualche" volta from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 5 - Christian Immler as Uberto "Son imbrogliato io già" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 6 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Antipodes (2017)
Musical excerpt 7 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Anitpodes. (2017)
Closing excerpt from the Overture of Erighetta e Don Chilone by Vinci. Conducted by Erin Helyard with Orchestra of the Antipodes (Pinchgut Opera 2017)
Music credits:
Pergolesi: La serva padrona & Livietta e Tracollo
℗ 2023 CPO
Released on: 2023-12-05
Orchestra: Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette
Conductor: Stephen Stubbs
Lyricist: Genarro Antonio Federico
Composer: Giovanni Battista Pergolesi
