Join host Erin Helyard as he takes us on a sweeping exploration of the origins of Maid Made Boss, the tradition of the intermezzo, the political and philosophical tensions of mid-century Paris, and how one clever servant girl helped change the course of operatic history.
Musical excerpt 1 - Taryn Fiebig as Erighetta and Richard Anderson as Don Chilone in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical cxcerpt 2 - Taryn Fiebig as Erighetta in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical excerpt 3 - Christian Immler as Uberto, "Aspettare e non venire" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 4 - Amanda Forsythe as Serpina "A serpina penserete qualche" volta from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 5 - Christian Immler as Uberto "Son imbrogliato io già" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 6 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Antipodes (2017)
Musical excerpt 7 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Anitpodes. (2017)
Closing excerpt from the Overture of Erighetta e Don Chilone by Vinci. Conducted by Erin Helyard with Orchestra of the Antipodes (Pinchgut Opera 2017)
Music credits:
Pergolesi: La serva padrona & Livietta e Tracollo
℗ 2023 CPO
Released on: 2023-12-05
Orchestra: Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette
Conductor: Stephen Stubbs
Lyricist: Genarro Antonio Federico
Composer: Giovanni Battista Pergolesi
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Join host Erin Helyard as he takes us on a sweeping exploration of the origins of Maid Made Boss, the tradition of the intermezzo, the political and philosophical tensions of mid-century Paris, and how one clever servant girl helped change the course of operatic history.
Musical excerpt 1 - Taryn Fiebig as Erighetta and Richard Anderson as Don Chilone in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical cxcerpt 2 - Taryn Fiebig as Erighetta in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical excerpt 3 - Christian Immler as Uberto, "Aspettare e non venire" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 4 - Amanda Forsythe as Serpina "A serpina penserete qualche" volta from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 5 - Christian Immler as Uberto "Son imbrogliato io già" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 6 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Antipodes (2017)
Musical excerpt 7 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Anitpodes. (2017)
Closing excerpt from the Overture of Erighetta e Don Chilone by Vinci. Conducted by Erin Helyard with Orchestra of the Antipodes (Pinchgut Opera 2017)
Music credits:
Pergolesi: La serva padrona & Livietta e Tracollo
℗ 2023 CPO
Released on: 2023-12-05
Orchestra: Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette
Conductor: Stephen Stubbs
Lyricist: Genarro Antonio Federico
Composer: Giovanni Battista Pergolesi
Pinchgut Opera's pre-opera podcast, hosted by Genevieve Lang, with very special guests Pinchgut Opera Artistic Director Erin Helyard, and Director Constantine Costi.
Witty, beautiful and psychologically fascinating, Orontea is set in a heightened contemporary world somewhere between Egypt and Las Vegas. The story centres around a love octagon, where decadence, pleasure and power fuel our colourful cast of grandiose and joyful characters as they pursue their personal passions above all else.
When it premiered at Innsbruck in February 1656, Orontea became one of the most successful operas of the entire century, deftly combining Cesti’s melodic inventiveness with Cicognini’s clever and comic libretto.
With Pinchgut’s imaginative staging and musical assurance, Orontea is guaranteed to amuse and delight our audiences of today, just as it did then.
Baroque Banter
Join host Erin Helyard as he takes us on a sweeping exploration of the origins of Maid Made Boss, the tradition of the intermezzo, the political and philosophical tensions of mid-century Paris, and how one clever servant girl helped change the course of operatic history.
Musical excerpt 1 - Taryn Fiebig as Erighetta and Richard Anderson as Don Chilone in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical cxcerpt 2 - Taryn Fiebig as Erighetta in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes
Musical excerpt 3 - Christian Immler as Uberto, "Aspettare e non venire" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 4 - Amanda Forsythe as Serpina "A serpina penserete qualche" volta from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 5 - Christian Immler as Uberto "Son imbrogliato io già" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O’Dette and Stephen Stubbs
Musical excerpt 6 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Antipodes (2017)
Musical excerpt 7 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Anitpodes. (2017)
Closing excerpt from the Overture of Erighetta e Don Chilone by Vinci. Conducted by Erin Helyard with Orchestra of the Antipodes (Pinchgut Opera 2017)
Music credits:
Pergolesi: La serva padrona & Livietta e Tracollo
℗ 2023 CPO
Released on: 2023-12-05
Orchestra: Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette
Conductor: Stephen Stubbs
Lyricist: Genarro Antonio Federico
Composer: Giovanni Battista Pergolesi
