In this episode of Backwards Beats, Dan and Carl dive into Black Uhuru’s 1981 masterpiece Red — the album that carried reggae into a new decade following Bob Marley’s passing. The duo explores how Michael Rose, Puma Jones, and Duckie Simpson, supported by legendary rhythm section Sly & Robbie, shaped a sound that fused roots reggae, dub experimentation, and modern production. With tight grooves, deep social commentary, and forward-thinking arrangements, Red defined a new era of conscious Jamaican music. Key Points Background & Lineup:Originated in Kingston’s Waterhouse district; lineup solidified with Michael Rose, Puma Jones, and Duckie Simpson.The name Uhuru means “freedom” in Swahili. Sly & Robbie’s Influence:Though not official members, drummer Sly Dunbar and bassist Robbie Shakespeare drove the band’s evolution—modernizing reggae’s sound with synth drums, dub textures, and rhythmic precision. Cultural Moment:Released just months before Bob Marley’s death, Red filled the leadership gap in global reggae, blending political consciousness with sleek 1980s production. Sound & Craft:The album balances tight, modern arrangements with deep spiritual and political lyrics. Layered guitars, female harmonies, and dub effects create a textured yet spacious mix. Music Referenced Love Crisis by Black Uhuru Sinsemilla by Black Uhuru Bob Marley Steel Pulse Hear My Dear by Marvin Gaye Cake Lenny Kravitz Frankie Valli The Jacksons Whip It by Devo Family Dinner Volume One by Snarky Puppy Amour T’es Là by Snarky Puppy Something by Snarky Puppy Lalah Hathaway Magda Giannikou Pain to Power by Maruja Leaving Babylon by 311 Inner Light Spectrum by 311 Hit the Road Jack by Ray Charles The Clash Dub Trio Soulive Real Big Fish Material Girl by Madonna Walk off the Earth Join us next week when we break down The Best of the Classic Years by King Sunny Ade