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As We Like It
Jonathan Cox, Aven McMaster, and Mark Sundaram
16 episodes
5 months ago
We review Ethan Hawke & Ed Harris's Cymbeline (2014), a movie that wasn't well received when it came out, but may offer interesting insights into the Shakespearean play it adapts. Is it a flat production of a poor play, as many critics said, or a philosophically coherent interpretation of work that offers us surprisingly existential insights into the violence of the modern world? Join us as we work through our reactions to this sometimes perplexing movie.
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TV & Film
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All content for As We Like It is the property of Jonathan Cox, Aven McMaster, and Mark Sundaram and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
We review Ethan Hawke & Ed Harris's Cymbeline (2014), a movie that wasn't well received when it came out, but may offer interesting insights into the Shakespearean play it adapts. Is it a flat production of a poor play, as many critics said, or a philosophically coherent interpretation of work that offers us surprisingly existential insights into the violence of the modern world? Join us as we work through our reactions to this sometimes perplexing movie.
Show more...
TV & Film
Arts
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Episode 7: River Phoenix and Keanu Reeves in My Own Private Idaho
As We Like It
1 hour 58 seconds
9 years ago
Episode 7: River Phoenix and Keanu Reeves in My Own Private Idaho
In this episode, Mark, Aven, and Jon we watch and discuss Gus Van Sant's 1991 indie classic My Own Private Idaho. A visually stunning and inventive movie, it incorporates the story of Henry IV Parts 1 & 2 and Henry V into a tale about love and loss among the gay escorts in the Pacific Northwest.
As We Like It
We review Ethan Hawke & Ed Harris's Cymbeline (2014), a movie that wasn't well received when it came out, but may offer interesting insights into the Shakespearean play it adapts. Is it a flat production of a poor play, as many critics said, or a philosophically coherent interpretation of work that offers us surprisingly existential insights into the violence of the modern world? Join us as we work through our reactions to this sometimes perplexing movie.