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As We Like It
Jonathan Cox, Aven McMaster, and Mark Sundaram
16 episodes
5 months ago
We review Ethan Hawke & Ed Harris's Cymbeline (2014), a movie that wasn't well received when it came out, but may offer interesting insights into the Shakespearean play it adapts. Is it a flat production of a poor play, as many critics said, or a philosophically coherent interpretation of work that offers us surprisingly existential insights into the violence of the modern world? Join us as we work through our reactions to this sometimes perplexing movie.
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TV & Film
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All content for As We Like It is the property of Jonathan Cox, Aven McMaster, and Mark Sundaram and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
We review Ethan Hawke & Ed Harris's Cymbeline (2014), a movie that wasn't well received when it came out, but may offer interesting insights into the Shakespearean play it adapts. Is it a flat production of a poor play, as many critics said, or a philosophically coherent interpretation of work that offers us surprisingly existential insights into the violence of the modern world? Join us as we work through our reactions to this sometimes perplexing movie.
Show more...
TV & Film
Arts
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Episode 12: Zeffirelli's Romeo & Juliet
As We Like It
1 hour 2 minutes 54 seconds
8 years ago
Episode 12: Zeffirelli's Romeo & Juliet
All four co-hosts convene to discuss the classic Zeffirelli version of Romeo & Juliet, with its young co-stars, beautiful architecture, lush scenery and costuming, and evocative score. Jon, Aven, Mark & John elaborate on the cuts to the text, the emphasis on the political threat of the feuding families, the ridiculousness of considering this a love story to be emulated, and the developments in cinematography and editing evident in this iconic movie.
As We Like It
We review Ethan Hawke & Ed Harris's Cymbeline (2014), a movie that wasn't well received when it came out, but may offer interesting insights into the Shakespearean play it adapts. Is it a flat production of a poor play, as many critics said, or a philosophically coherent interpretation of work that offers us surprisingly existential insights into the violence of the modern world? Join us as we work through our reactions to this sometimes perplexing movie.