In celebration of the exhibition Edges of Ailey, Matthew Rushing, the interim Artistic Director of the Alvin Ailey American Dance Theater, takes us back to his first time seeing the company perform at the Wiltern Theater at twelve-years-old. Matthew discusses the memories of his mother taking him to see the performance, the experience of sitting in the front row, and the profound impact this moment had on the course of his life.
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In celebration of the exhibition Edges of Ailey, Matthew Rushing, the interim Artistic Director of the Alvin Ailey American Dance Theater, takes us back to his first time seeing the company perform at the Wiltern Theater at twelve-years-old. Matthew discusses the memories of his mother taking him to see the performance, the experience of sitting in the front row, and the profound impact this moment had on the course of his life.
"There's an urgency in her work. There's a rhythm that exists in her drawings and sculptures that I'm really attracted to as well." On the occasion of Ruth Asawa Through Line we chatted with Virginia Overton about what she finds so inspiring about Asawa's work. She speaks about two pieces: a print made from the body of a fish, and an ink drawing showing the cross-section of a redwood tree. More about the exhibition: https://whitney.org/exhibitions/ruth-asawa-through-line See the art described...
Artists Among Us
In celebration of the exhibition Edges of Ailey, Matthew Rushing, the interim Artistic Director of the Alvin Ailey American Dance Theater, takes us back to his first time seeing the company perform at the Wiltern Theater at twelve-years-old. Matthew discusses the memories of his mother taking him to see the performance, the experience of sitting in the front row, and the profound impact this moment had on the course of his life.
