Part two of the conversation with Broadway lighting designer Jane Cox.   Topics: ⭐️ Keeping overhead low ⭐️ Paying theatre designers hourly  ⭐️ Penny Remsen - Jane’s lighting mentor ⭐️ Paying for assistants / drafting out of the design fee ⭐️ Two recent design fees - one for an opera, one for an off Broadway musical   Video Version https://youtu.be/1qBXKh3-QfM   Artistic Finance https://linktr.ee/artisticfinance   False Steps - Off-Broadway Play https://www.falsestepscomedy.com/   Jane Cox https://janecoxlight.squarespace.com/ https://www.ibdb.com/broadway-cast-staff/jane-cox-115195   Sam Pinkleton https://sampinkleton.com/   Stacey Derosier  https://www.staceyderosier.com/   Accountants for Theatre Artists https://www.artisticfinance.com/resources.html   Planned Parenthood https://www.plannedparenthood.org/donor-services   The Watershed https://thewatershed.org/donate/   Roundabout Workforce Development Program https://www.roundabouttheatre.org/education/career-training/theatrical-workforce-development-program   1/52 Project https://www.oneeveryfiftytwo.org/   Tech 25 in Pittsburgh (Jordan Gilliam) https://www.tech25.org/ Website temporarily down as of July 2025   Brighter Boston (Aja Jackson) https://www.brighterboston.org/   Design Action https://www.design-action.com/   LA Opera https://laopera.org/   Teeth The Musical https://teeththemusical.com/   Playwrights Horizons https://www.playwrightshorizons.org/   Elsa Hiltner's Designer Pay Resource https://docs.google.com/spreadsheets/d/1myTM4B4VGfv21iJovNLYiIopUtsDClzSGLsFOsAZHi4/edit?gid=0#gid=0   Penny Remsen https://www.umass.edu/theater/about/directory/penny-remsen https://www.linkedin.com/in/penny-remsen-1b53b8a/   Ben Stanton https://benstanton.com/   Justin Townsend https://www.ibdb.com/broadway-cast-staff/justin-townsend-117237   Brian MacDevitt https://www.ibdb.com/broadway-cast-staff/brian-macdevitt-25766   NYU Graduate Design School https://tisch.nyu.edu/design   University of Massachussets Amherts https://www.umass.edu/theater/   Jane Cox is a theater maker, an educator and a lighting designer working in theater, opera, dance and music. Jane won a Tony, a Drama Desk and the Henry Hewes award in 2024 for her lighting for Appropriate, and has three Tony nominations for Macbeth (‘22), Jitney (‘17) and Machinal (‘14). Her creative career has been built on relationships; some of the extraordinary theatrical artists who have shaped her creative life include Ruben Santiago-Hudson, John Doyle, Elise Thoron, Shariffa Ali, Caitríona MacLaughlin, Sam Pinkleton, Branden Jacobs-Jenkins, Stacey Derosier and Sam Gold. Jane is also inspired by her brilliant students and young alumni   Recent designs include a co-design for Michael R Jackson and Anna K Jacob’s Teeth with Stacey Derosier; Donnacha Dennehy’s Land of Winter at the Irish Arts Center; The Weir at the Abbey Theater in Dublin (her home town); Felon: An American Washi Tale; and The Marriage of Figaro, Cosi and Don Giovanni at San Francisco Opera. Upcoming projects include Marina Carr’s new trilogy at the Abbey in Dublin and the Rocky Horror Show on Broadway.   Other highlights have been co-organizing and hosting the 2023 symposium and creative convening The Future of Race in Design at the Park Avenue Armory with Branden Jacobs-Jenkins, Mimi Lien and Mikaal Sulaiman; organizing a series of events with returning citizens in conjunction with performances of Felon: An American Washi Tale by Reginald Dwayne Betts; working with the engineer Naomi Leonard, composer Dan Trueman and co-designer Tess James on Rhythm Bots, a project investigating collective motion and rhythmic connection with robots; and receiving a Distinguished Achievement Award from USITT in 2025.   Jane has been a member of the Monica Bill Barnes dance company for more than twenty years and has been working with fellow lighting designer Tess James in many capacities for fifteen. She is a Professor of the Practice and Director of the Program in Theate