We mark Native American Heritage Month with artist Rose B. Simpson (Santa Clara Pueblo) who discusses her work in large-scale public art, and her journey as a creative rooted in Santa Clara Pueblo heritage. Simpson reflects on her process, exploring themes of protection, generational healing, and the deep connection between her art, identity, and community.  Simpson explains how her background in Santa Clara Pueblo pottery and her experiences studying in Japan and at the Rhode Island School of Design ( RISD) have shaped her unique approach, blending cultural reverence with innovative techniques.  We talk in-depth about her recent installation Seed, commissioned by the Madison Square Park Conservancy to mark its 20th anniversary  and funded in part by the NEA, a work inspired by both the Lenape land and Simpson’s own explorations of safety and lineage, and her monumental exhibit Strata currently showing at the Cleveland Museum of Art.  Simpson also discusses her automotive training and its impact on her art particularly her work  Maria--the black-on-black El Camino, symbolizing the Pueblo tradition of pottery within lowrider culture.  Simpson shares the challenges of creating art that respects cultural boundaries while pushing expressive boundaries, capturing the spirit of resilience and interconnectedness that defines her work.