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Art of the Score
Andrew Pogson, Nicholas Buc and Dan Golding
36 episodes
9 months ago
Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all. Episode notes: 01:51 – Did you miss us? 09:02 - interstellar! 13:55 – Hans Zimmer and Christopher Nolan’s time together 15:35 – The piece of paper and early demos 24:31 – soft soft LOUD 27:07 – The discovery theme, and Interstellar’s organ 38:08 – Woodwinds of Change 39:40 – Chastain’s piano 41:25 – Countermelody of doom 45:22 – The hope theme, loops and DAWs 54:10 – Messages from home 59:48 – The tesseract acts 1:02:40 – Finding Anne Hathaway 1:06:48 – Gravity 1:13:35 – 2001: An Interstellar Odyssey 1:20:48 – The humanity theme 1:32:59 – The sound of silence 1:37:55 – Time 1:42:15 – Maths with Poggo 1:49:45 – Dr Mann kind? No, he’s quite mean 1:53:30 – Try spinning, that’s a good trick 1:59:25 – Nick’s favourite ka-cue 2:00:51 – V for Vinterstellar 2:03:26 – Final thoughts We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
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Music
Education,
TV & Film
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All content for Art of the Score is the property of Andrew Pogson, Nicholas Buc and Dan Golding and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all. Episode notes: 01:51 – Did you miss us? 09:02 - interstellar! 13:55 – Hans Zimmer and Christopher Nolan’s time together 15:35 – The piece of paper and early demos 24:31 – soft soft LOUD 27:07 – The discovery theme, and Interstellar’s organ 38:08 – Woodwinds of Change 39:40 – Chastain’s piano 41:25 – Countermelody of doom 45:22 – The hope theme, loops and DAWs 54:10 – Messages from home 59:48 – The tesseract acts 1:02:40 – Finding Anne Hathaway 1:06:48 – Gravity 1:13:35 – 2001: An Interstellar Odyssey 1:20:48 – The humanity theme 1:32:59 – The sound of silence 1:37:55 – Time 1:42:15 – Maths with Poggo 1:49:45 – Dr Mann kind? No, he’s quite mean 1:53:30 – Try spinning, that’s a good trick 1:59:25 – Nick’s favourite ka-cue 2:00:51 – V for Vinterstellar 2:03:26 – Final thoughts We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
Show more...
Music
Education,
TV & Film
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Episode 35: Studio Fanfares Part 2
Art of the Score
4 years ago
Episode 35: Studio Fanfares Part 2
It’s Episode 35, and the long-awaited part two to our investigation of a fascinating and often-overlooked area of film music history – studio fanfares. In this episode we travel from the 1980s to today, taking in the sights and sounds of evergreen studio fanfares from the likes of Jerry Goldsmith, John Williams, the THX Deep Note, and the Buc dynasty of screen composers. And of course, there’s a round of ‘Name That Theme’ with host Andrew Pogson, as well as a look at some of the most contemporary of logo themes – including Marvel, Star Wars, and a curious update of MGM’s Leo the Lion. Show notes: 2:50 – The Art of the Score fanfare – Nancy Buc (1980) 4:34 – The studio revival in the 1980s 5:42 – Amblin Entertainment – John Williams (1981) 9:14 – The Ladd Company – John Williams (1981) 12:29 – United Artists – Joe Harnell (1982) 15:54 – THX Deep Note – James Andy Moorer (1983) 22:13 – Tri-Star Pictures – Dave Grusin (1984) 25:46 – Carolco Pictures – Jerry Goldsmith (1985) 28:42 – And now, the news 33:10 – Disney – John Debney (1985) 36:26 – THX Cimarron – James Horner (1988) 39:43 – Castle Rock Entertainment – Marc Shaiman (1989) 42:56 – Warner Bros. and an off day in the synth studio 44:30 – The Art of the Score fanfare – Barry Buc (1990) 46:21 – Universal – James Horner (1990) 50:46 – Hollywood Pictures – Danny Elfman (1990) 51:42 – Village Roadshow (1992) 53:53 – Columbia – Jonathan Elias (1993) 56:50 – Studio fanfares you might have heard before… 1:02:28 – New Line Cinema – Michael Kamen (1994) 1:05:34 – United Artists – Starr Parodi and Jeff Eden Fair (1994) 1:09:05 – Disney and Pixar – Randy Newman (1995) 1:10:26 – HBO (1996) 1:11:35 – Dreamworks – John Williams (1997) 1:14:56 – Universal – Jerry Goldsmith (1997) 1:19:31 – Warner Bros. – Gabriel Yared (1999) 1:21:39 – The Art of the Score fanfare – Tobias H. Buc (2000) 1:23:53 – Sony Home Entertainment and Animation (2005/2006) 1:28:16 – Disney – Mark Mancina & Dave Metzger (2006) 1:31:44 – Studio Canal – Alexandre Desplat (2011) 1:36:25 – Paramount – Michael Giacchino (2011) 1:40:02 – Universal, updated – Brian Tyler (2012) 1:41:26 – Marvel – Tyler/Giacchino (2013/2016) 1:47:26 – Netflix – Lon Bender and Charlie Campagna (2015) 1:52:49 – Streaming Star Wars (2019) 1:56:31 – MGM (2021) 1:58:33 – The Art of the Score fanfare – Nicholas Buc (2004) 2:01:25 – “Name That Theme”, with your host, Andrew Pogson We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
Art of the Score
Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all. Episode notes: 01:51 – Did you miss us? 09:02 - interstellar! 13:55 – Hans Zimmer and Christopher Nolan’s time together 15:35 – The piece of paper and early demos 24:31 – soft soft LOUD 27:07 – The discovery theme, and Interstellar’s organ 38:08 – Woodwinds of Change 39:40 – Chastain’s piano 41:25 – Countermelody of doom 45:22 – The hope theme, loops and DAWs 54:10 – Messages from home 59:48 – The tesseract acts 1:02:40 – Finding Anne Hathaway 1:06:48 – Gravity 1:13:35 – 2001: An Interstellar Odyssey 1:20:48 – The humanity theme 1:32:59 – The sound of silence 1:37:55 – Time 1:42:15 – Maths with Poggo 1:49:45 – Dr Mann kind? No, he’s quite mean 1:53:30 – Try spinning, that’s a good trick 1:59:25 – Nick’s favourite ka-cue 2:00:51 – V for Vinterstellar 2:03:26 – Final thoughts We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.