Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all.
Episode notes:
01:51 – Did you miss us?
09:02 - interstellar!
13:55 – Hans Zimmer and Christopher Nolan’s time together
15:35 – The piece of paper and early demos
24:31 – soft soft LOUD
27:07 – The discovery theme, and Interstellar’s organ
38:08 – Woodwinds of Change
39:40 – Chastain’s piano
41:25 – Countermelody of doom
45:22 – The hope theme, loops and DAWs
54:10 – Messages from home
59:48 – The tesseract acts
1:02:40 – Finding Anne Hathaway
1:06:48 – Gravity
1:13:35 – 2001: An Interstellar Odyssey
1:20:48 – The humanity theme
1:32:59 – The sound of silence
1:37:55 – Time
1:42:15 – Maths with Poggo
1:49:45 – Dr Mann kind? No, he’s quite mean
1:53:30 – Try spinning, that’s a good trick
1:59:25 – Nick’s favourite ka-cue
2:00:51 – V for Vinterstellar
2:03:26 – Final thoughts
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Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all.
Episode notes:
01:51 – Did you miss us?
09:02 - interstellar!
13:55 – Hans Zimmer and Christopher Nolan’s time together
15:35 – The piece of paper and early demos
24:31 – soft soft LOUD
27:07 – The discovery theme, and Interstellar’s organ
38:08 – Woodwinds of Change
39:40 – Chastain’s piano
41:25 – Countermelody of doom
45:22 – The hope theme, loops and DAWs
54:10 – Messages from home
59:48 – The tesseract acts
1:02:40 – Finding Anne Hathaway
1:06:48 – Gravity
1:13:35 – 2001: An Interstellar Odyssey
1:20:48 – The humanity theme
1:32:59 – The sound of silence
1:37:55 – Time
1:42:15 – Maths with Poggo
1:49:45 – Dr Mann kind? No, he’s quite mean
1:53:30 – Try spinning, that’s a good trick
1:59:25 – Nick’s favourite ka-cue
2:00:51 – V for Vinterstellar
2:03:26 – Final thoughts
We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
In Episode 25, we’ve seen things you wouldn’t believe. A guest synth expert to tell us all about the great Yamaha CS-80’s attack and delay, and the shoulders of its Orion filter envelopes. We’ve watched Vangelis glitter in the dark, near Wagner’s Tannhäuser Overture. All these moments will be recorded in time, on podcast recording equipment, and released online, like tears in rain.
Episode notes:
3:20 – A special Art of the Score guest
4:57 – A history of Blade Running
12:21 – The Vangelis sound
16:34 – Sound design versus music
20:37 – The Blade Runner main theme
26:48 – Synth talk with Seja: the Yamaha CS-80
31:52 – Aftertouch
35:32 – Oscillators and ring modulators
40:22 – The pitch ribbon
43:20 – Seja recreates the Blade Runner theme
52:44 – Pronunciation fun with Dan
55:02 – Tears In Rain
56:51 – Blade Runner and the film noir sound, from Double Indemnity to L.A. Noire
1:10:33 – The Blade Runner Blues
1:14:34 – Rachel’s theme
1:19:15 – The Love theme
1:23:49 – The ‘ethnic’ influences on the score – Blush Response
1:26:22 – Tales of the Future
1:31:10 – Damask Rose
1:36:15 – One More Kiss Dear and Blade Runner’s world of jazz
1:40:11 – The End Titles
We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
Art of the Score
Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all.
Episode notes:
01:51 – Did you miss us?
09:02 - interstellar!
13:55 – Hans Zimmer and Christopher Nolan’s time together
15:35 – The piece of paper and early demos
24:31 – soft soft LOUD
27:07 – The discovery theme, and Interstellar’s organ
38:08 – Woodwinds of Change
39:40 – Chastain’s piano
41:25 – Countermelody of doom
45:22 – The hope theme, loops and DAWs
54:10 – Messages from home
59:48 – The tesseract acts
1:02:40 – Finding Anne Hathaway
1:06:48 – Gravity
1:13:35 – 2001: An Interstellar Odyssey
1:20:48 – The humanity theme
1:32:59 – The sound of silence
1:37:55 – Time
1:42:15 – Maths with Poggo
1:49:45 – Dr Mann kind? No, he’s quite mean
1:53:30 – Try spinning, that’s a good trick
1:59:25 – Nick’s favourite ka-cue
2:00:51 – V for Vinterstellar
2:03:26 – Final thoughts
We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
