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Art of the Score
Andrew Pogson, Nicholas Buc and Dan Golding
36 episodes
9 months ago
Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all. Episode notes: 01:51 – Did you miss us? 09:02 - interstellar! 13:55 – Hans Zimmer and Christopher Nolan’s time together 15:35 – The piece of paper and early demos 24:31 – soft soft LOUD 27:07 – The discovery theme, and Interstellar’s organ 38:08 – Woodwinds of Change 39:40 – Chastain’s piano 41:25 – Countermelody of doom 45:22 – The hope theme, loops and DAWs 54:10 – Messages from home 59:48 – The tesseract acts 1:02:40 – Finding Anne Hathaway 1:06:48 – Gravity 1:13:35 – 2001: An Interstellar Odyssey 1:20:48 – The humanity theme 1:32:59 – The sound of silence 1:37:55 – Time 1:42:15 – Maths with Poggo 1:49:45 – Dr Mann kind? No, he’s quite mean 1:53:30 – Try spinning, that’s a good trick 1:59:25 – Nick’s favourite ka-cue 2:00:51 – V for Vinterstellar 2:03:26 – Final thoughts We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
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Music
Education,
TV & Film
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All content for Art of the Score is the property of Andrew Pogson, Nicholas Buc and Dan Golding and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all. Episode notes: 01:51 – Did you miss us? 09:02 - interstellar! 13:55 – Hans Zimmer and Christopher Nolan’s time together 15:35 – The piece of paper and early demos 24:31 – soft soft LOUD 27:07 – The discovery theme, and Interstellar’s organ 38:08 – Woodwinds of Change 39:40 – Chastain’s piano 41:25 – Countermelody of doom 45:22 – The hope theme, loops and DAWs 54:10 – Messages from home 59:48 – The tesseract acts 1:02:40 – Finding Anne Hathaway 1:06:48 – Gravity 1:13:35 – 2001: An Interstellar Odyssey 1:20:48 – The humanity theme 1:32:59 – The sound of silence 1:37:55 – Time 1:42:15 – Maths with Poggo 1:49:45 – Dr Mann kind? No, he’s quite mean 1:53:30 – Try spinning, that’s a good trick 1:59:25 – Nick’s favourite ka-cue 2:00:51 – V for Vinterstellar 2:03:26 – Final thoughts We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
Show more...
Music
Education,
TV & Film
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Episode 23: Harry Potter and the Prisoner of Azkaban - Part 1
Art of the Score
7 years ago
Episode 23: Harry Potter and the Prisoner of Azkaban - Part 1
In Episode 23 we return to the wizarding world with the first of a two part listen to Harry Potter and the Prisoner of Azkaban. Far from resting on prior achievements, the final John Williams Potter score knocks it out of the park, giving us everything from medieval music to waltzes, bebop jazz, and some of the most majestic flight music ever written. Join us, as we solemnly swear we are up to no good and journey with Harry and co for their third year at Hogwarts School of Witchcraft and Wizardry. Episode notes: 2:32 – Dan makes a big claim 6:35 – Some Azkaban homework 14:45 – Hedwig’s theme goes on holiday 16:23 – Something wicked this way hums 27:50 – Crumhorn, Sackbut, and Azkaban’s medieval sound 30:51 – Meeting Buckbeak 33:04 – Searching for the Fat Lady 35:33 – Some sleeping celeste 39:09 – The renaissance fair 46:49 – A Window to the Past 1:00:00 – Some serious Sirius 1:04:13 – Pettigrew’s motif 1:07:12 – Buckbeak’s brilliant flight 1:13:15 – Buckbeak’s equally brilliant second flight 1:17:26 – The Dementor’s dialectic. Thesis: aleatoric horror 1:21:39 – Antithesis: the angelic Patronus 1:23:06 – Synthesis: the Dementors converge We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
Art of the Score
Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all. Episode notes: 01:51 – Did you miss us? 09:02 - interstellar! 13:55 – Hans Zimmer and Christopher Nolan’s time together 15:35 – The piece of paper and early demos 24:31 – soft soft LOUD 27:07 – The discovery theme, and Interstellar’s organ 38:08 – Woodwinds of Change 39:40 – Chastain’s piano 41:25 – Countermelody of doom 45:22 – The hope theme, loops and DAWs 54:10 – Messages from home 59:48 – The tesseract acts 1:02:40 – Finding Anne Hathaway 1:06:48 – Gravity 1:13:35 – 2001: An Interstellar Odyssey 1:20:48 – The humanity theme 1:32:59 – The sound of silence 1:37:55 – Time 1:42:15 – Maths with Poggo 1:49:45 – Dr Mann kind? No, he’s quite mean 1:53:30 – Try spinning, that’s a good trick 1:59:25 – Nick’s favourite ka-cue 2:00:51 – V for Vinterstellar 2:03:26 – Final thoughts We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.