Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all.
Episode notes:
01:51 – Did you miss us?
09:02 - interstellar!
13:55 – Hans Zimmer and Christopher Nolan’s time together
15:35 – The piece of paper and early demos
24:31 – soft soft LOUD
27:07 – The discovery theme, and Interstellar’s organ
38:08 – Woodwinds of Change
39:40 – Chastain’s piano
41:25 – Countermelody of doom
45:22 – The hope theme, loops and DAWs
54:10 – Messages from home
59:48 – The tesseract acts
1:02:40 – Finding Anne Hathaway
1:06:48 – Gravity
1:13:35 – 2001: An Interstellar Odyssey
1:20:48 – The humanity theme
1:32:59 – The sound of silence
1:37:55 – Time
1:42:15 – Maths with Poggo
1:49:45 – Dr Mann kind? No, he’s quite mean
1:53:30 – Try spinning, that’s a good trick
1:59:25 – Nick’s favourite ka-cue
2:00:51 – V for Vinterstellar
2:03:26 – Final thoughts
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Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all.
Episode notes:
01:51 – Did you miss us?
09:02 - interstellar!
13:55 – Hans Zimmer and Christopher Nolan’s time together
15:35 – The piece of paper and early demos
24:31 – soft soft LOUD
27:07 – The discovery theme, and Interstellar’s organ
38:08 – Woodwinds of Change
39:40 – Chastain’s piano
41:25 – Countermelody of doom
45:22 – The hope theme, loops and DAWs
54:10 – Messages from home
59:48 – The tesseract acts
1:02:40 – Finding Anne Hathaway
1:06:48 – Gravity
1:13:35 – 2001: An Interstellar Odyssey
1:20:48 – The humanity theme
1:32:59 – The sound of silence
1:37:55 – Time
1:42:15 – Maths with Poggo
1:49:45 – Dr Mann kind? No, he’s quite mean
1:53:30 – Try spinning, that’s a good trick
1:59:25 – Nick’s favourite ka-cue
2:00:51 – V for Vinterstellar
2:03:26 – Final thoughts
We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
In Episode 19 we continue our ambitious attempt to analyse every James Bond score ever. Having covered the Connery classics in Episode 18, we’re now onto the 1970s, 1980s, and even the early 1990s, covering Moore, Dalton, and a little bit of Brosnan as James Bond goes from funk to disco to acid jazz and even a little early hip-hop. Join us as we look at some of the kitschiest Bond music out there – and, some of the all-time greats.
Episode notes:
3:38 – Roger Moore’s more George (Aston) Martin Bond music
9:11 – The 1970s funk boat chase
12:45 – Nick has a problem with The Man With the Golden Gun’s parallel motion
16:43 – The Spy Who Wrote A Fantastic Opening Song
18:10 – James ‘Disco Stu’ Bond
24:30 – The singing pyramids
28:33 – The Space Who Loved Me
32:45 – Bossa, James Bossa
35:38 – Bill Conti’s For Your Funk Only
43:40 – John Barry’s finale: Octopussy, A View To A Kill, and The Living Daylights
49:12 – Dalton’s daylight drum machine
54:50 – Michael Kamen’s License to Trill
1:01:04 – Bond’s power ballad romance
1:04:50 – Serra’s synth sound for Goldeneye and the sonic reinvention of James Bond
1:13:34 – Acid James
1:17:40 – Escaping the Archives
1:19:04 – Goldeneye’s Tank Chase and John Altman’s replacement music
We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
Art of the Score
Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all.
Episode notes:
01:51 – Did you miss us?
09:02 - interstellar!
13:55 – Hans Zimmer and Christopher Nolan’s time together
15:35 – The piece of paper and early demos
24:31 – soft soft LOUD
27:07 – The discovery theme, and Interstellar’s organ
38:08 – Woodwinds of Change
39:40 – Chastain’s piano
41:25 – Countermelody of doom
45:22 – The hope theme, loops and DAWs
54:10 – Messages from home
59:48 – The tesseract acts
1:02:40 – Finding Anne Hathaway
1:06:48 – Gravity
1:13:35 – 2001: An Interstellar Odyssey
1:20:48 – The humanity theme
1:32:59 – The sound of silence
1:37:55 – Time
1:42:15 – Maths with Poggo
1:49:45 – Dr Mann kind? No, he’s quite mean
1:53:30 – Try spinning, that’s a good trick
1:59:25 – Nick’s favourite ka-cue
2:00:51 – V for Vinterstellar
2:03:26 – Final thoughts
We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
