Home
Categories
EXPLORE
True Crime
Comedy
Business
Society & Culture
Sports
TV & Film
History
About Us
Contact Us
Copyright
© 2024 PodJoint
00:00 / 00:00
Sign in

or

Don't have an account?
Sign up
Forgot password
https://is1-ssl.mzstatic.com/image/thumb/Podcasts112/v4/8b/2a/04/8b2a0455-f514-a5c5-af48-49d285ae136b/mza_9405133978039205667.jpg/600x600bb.jpg
Art of the Cut
Steve Hullfish, ACE
183 episodes
2 days ago
Conversations with Film, TV, and Documentary editors.
Show more...
Film Interviews
TV & Film
RSS
All content for Art of the Cut is the property of Steve Hullfish, ACE and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Conversations with Film, TV, and Documentary editors.
Show more...
Film Interviews
TV & Film
https://d3t3ozftmdmh3i.cloudfront.net/production/podcast_uploaded/22965023/22965023-1656494944216-1aa9614d2ef1d.jpg
UNSTOPPABLE
Art of the Cut
45 minutes 55 seconds
10 months ago
UNSTOPPABLE

Today on Art of the Cut we speak with Oscar-winning editor - and now DIRECTOR - William Goldenberg, ACE about his directorial debut - the NUMBER ONE GLOBAL MOVIE on Amazon - Unstoppable. Of course, we also have William’s editor - no, he didn’t edit it himself - Brett Reed. Brett and William have been working together for more than 20 years.

William has been on Art of the Cut many times, including for The Instigators, Air, The Outfit, News of the World, 22 July, Detroit, and Live By Night. Billy won the Oscar for Best editing, a BAFTA and an ACE Eddie for Argo. He was nominated for an ACE Eddie for Air, an Oscar nomination and a BAFTA nom for The Imitation Game, nominated for an Oscar for Zero Dark Thirty, nominated for an Oscar and an ACE Eddie for Seabiscuit, and for The Insider… and an Emmy for Citizen X. 

Brett was also on The Instigators. He was an editor on M. Night Shyamalan’s Old. He was also an additional editor on Transformers: Rise of the Beasts, Detroit and Live by Night.

This discussion includes - among other things - the editing skills that helped William transition to director, why - other than their long working relationship - that William chose Brett as his editor, editing handheld footage - and a fascinating bit of Hollywood lore about Led Zeppelin and the movie Argo.

If you'd like to read along with this interview and see the complete clips that we discuss in the interview, please go to:

borisfx.com/blog/aotc

Art of the Cut
Conversations with Film, TV, and Documentary editors.