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Art Is Not a Thing
Ars Electronica
19 episodes
6 days ago
Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...
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Arts
Technology,
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All content for Art Is Not a Thing is the property of Ars Electronica and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...
Show more...
Arts
Technology,
Society & Culture
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Operational Hoaxes
Art Is Not a Thing
33 minutes
1 year ago
Operational Hoaxes
Send us a textIt’s easy to discard fakes and hoaxes as misinformation. But that might be too abrupt an ending to a discussion about the aesthetics of non-fact and the role of synthetic images in our visual landscape. In this episode, we talk to Martyna Marciniak and Jussi Parikka about synthetic images and their relationship to the material realities that (re-)/produce.Resources:The Eye of the Master by Matteo PasquinelliDoppelganger by Naomi KleinMaterial Witness by Susan SchuppliInto the Wh...
Art Is Not a Thing
Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...