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Art Is Not a Thing
Ars Electronica
19 episodes
6 days ago
Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...
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Arts
Technology,
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All content for Art Is Not a Thing is the property of Ars Electronica and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...
Show more...
Arts
Technology,
Society & Culture
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Love and the City
Art Is Not a Thing
28 minutes
11 months ago
Love and the City
Send us a textWhat happens when our public behaviour is constantly monitored? Do we still hug, kiss, or allow ourselves to be vulnerable in public, does it stop us from being at our worst? In this episode, we talk to artist Noemi Iglesias Barrios and Guggenheim curator Noam Segal about surveillance systems in the public space and why we might want to 'measure' cities in terms of emotionality by training algorithms to search for signs of love on the streets.Resources:The Radicality of Love by ...
Art Is Not a Thing
Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...