Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...
All content for Art Is Not a Thing is the property of Ars Electronica and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...
Labour in the Greenhouse: Reaping the Fruits of Automation
Art Is Not a Thing
40 minutes
8 months ago
Labour in the Greenhouse: Reaping the Fruits of Automation
Send us a text Greenhouses are sites of encounter between humans, plants, and machines, as well as socio-economic and geopolitical regimes. Within them, intricate stories of our day-to-day food production are weaved out of both visible and invisible threads. In this episode, we talk to artists Špela Petrič and Penelope Cain, and doctoral researcher Carolien Lubberhuizen about the intricacies these spaces hold. Resources: Seasonal Matters Rural Relations — Seasonal Neighbours Ways of Bei...
Art Is Not a Thing
Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...
