Skwigly are proud to present the third panel from the second series of Visible In Visuals, an initiative pushing to make the animation and VFX industries more diverse and inclusive through honest, open conversation.
When the BBC are looking to close the “gender fame” gap, why are they neglecting the “gender frame gap”? Behind the scenes, women are still under-represented in senior creative roles across animation and this is even true on Female-focused commercials like the “Names will be Made” campaign for the UEFA Women's Euros.
Tanya J Scott speaks to Directors Hannah Lau-Walker and Neeraja Raj, as well as Producer Amy Ashton about why are we still failing to see female talent leading large commercials in UK animation.
This episode was sparked by the “Women on Screen, Men in Charge” article by Neeraja, which you can read here: https://www.skwigly.co.uk/women-on-screen-men-in-charge-the-industrys-open-secret/
Picture credit: "She Creates Change" Dir. by Hannah Lau Walker, Production Studio: Nexus Studios
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Skwigly are proud to present the third panel from the second series of Visible In Visuals, an initiative pushing to make the animation and VFX industries more diverse and inclusive through honest, open conversation.
When the BBC are looking to close the “gender fame” gap, why are they neglecting the “gender frame gap”? Behind the scenes, women are still under-represented in senior creative roles across animation and this is even true on Female-focused commercials like the “Names will be Made” campaign for the UEFA Women's Euros.
Tanya J Scott speaks to Directors Hannah Lau-Walker and Neeraja Raj, as well as Producer Amy Ashton about why are we still failing to see female talent leading large commercials in UK animation.
This episode was sparked by the “Women on Screen, Men in Charge” article by Neeraja, which you can read here: https://www.skwigly.co.uk/women-on-screen-men-in-charge-the-industrys-open-secret/
Picture credit: "She Creates Change" Dir. by Hannah Lau Walker, Production Studio: Nexus Studios
Presenting episode 115 of the Skwigly Animation Podcast!
In this episode we welcome Chris Sanders, director of the Dreamworks feature 'The Wild Robot' out in UK cinemas now and adapted from Peter Brown’s #1 New York Times bestseller.
The epic adventure follows the journey of a robot—ROZZUM unit 7134, “Roz” for short — that is shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling.
Also discussed in this episode: Remembering Emma Calder, upcoming Manchester Animation Festival highlights, Cardiff Animation Festival's special presentation of Robert Morgan's 'Stopmotion', the return of Feathers McGraw in Wallace and Gromit's upcoming feature 'Vengeance Most Fowl', kvetching about 'Carol and the End of the World' and 'The New Norm', the furore around 'Velma', Mackinnon and Saunders' brilliant work on 'Beetlejuice Beetlejuice', and the completion of the second Skwigly book 'Intimate Animation' (due March 2025)
Animation Podcasts | Skwigly
Skwigly are proud to present the third panel from the second series of Visible In Visuals, an initiative pushing to make the animation and VFX industries more diverse and inclusive through honest, open conversation.
When the BBC are looking to close the “gender fame” gap, why are they neglecting the “gender frame gap”? Behind the scenes, women are still under-represented in senior creative roles across animation and this is even true on Female-focused commercials like the “Names will be Made” campaign for the UEFA Women's Euros.
Tanya J Scott speaks to Directors Hannah Lau-Walker and Neeraja Raj, as well as Producer Amy Ashton about why are we still failing to see female talent leading large commercials in UK animation.
This episode was sparked by the “Women on Screen, Men in Charge” article by Neeraja, which you can read here: https://www.skwigly.co.uk/women-on-screen-men-in-charge-the-industrys-open-secret/
Picture credit: "She Creates Change" Dir. by Hannah Lau Walker, Production Studio: Nexus Studios
