Skwigly are proud to present the third panel from the second series of Visible In Visuals, an initiative pushing to make the animation and VFX industries more diverse and inclusive through honest, open conversation.
When the BBC are looking to close the “gender fame” gap, why are they neglecting the “gender frame gap”? Behind the scenes, women are still under-represented in senior creative roles across animation and this is even true on Female-focused commercials like the “Names will be Made” campaign for the UEFA Women's Euros.
Tanya J Scott speaks to Directors Hannah Lau-Walker and Neeraja Raj, as well as Producer Amy Ashton about why are we still failing to see female talent leading large commercials in UK animation.
This episode was sparked by the “Women on Screen, Men in Charge” article by Neeraja, which you can read here: https://www.skwigly.co.uk/women-on-screen-men-in-charge-the-industrys-open-secret/
Picture credit: "She Creates Change" Dir. by Hannah Lau Walker, Production Studio: Nexus Studios
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Skwigly are proud to present the third panel from the second series of Visible In Visuals, an initiative pushing to make the animation and VFX industries more diverse and inclusive through honest, open conversation.
When the BBC are looking to close the “gender fame” gap, why are they neglecting the “gender frame gap”? Behind the scenes, women are still under-represented in senior creative roles across animation and this is even true on Female-focused commercials like the “Names will be Made” campaign for the UEFA Women's Euros.
Tanya J Scott speaks to Directors Hannah Lau-Walker and Neeraja Raj, as well as Producer Amy Ashton about why are we still failing to see female talent leading large commercials in UK animation.
This episode was sparked by the “Women on Screen, Men in Charge” article by Neeraja, which you can read here: https://www.skwigly.co.uk/women-on-screen-men-in-charge-the-industrys-open-secret/
Picture credit: "She Creates Change" Dir. by Hannah Lau Walker, Production Studio: Nexus Studios
Skwigly presents Animation One-To-Ones featuring featuring Ben Mitchell in conversation with Oscar-nominated, Cardiff-based animator Joanna Quinn discussing her work with AC4Pal (Animation Community for Palestine), an organisation that came about in support of the laudable efforts of Gaza-based animator Haneen Koraz, who has been running animation workshops with displaced children and women across the region.
With yesterday marking the online premiere of To Gaza with Love: A Global Anijam, a powerful international initiative coordinated by AC4Pal bringing together 329 short films from over 50 countries, created by animators, students, and studios in a collective act of solidarity with the people of Gaza. Among the hundreds of contributors are Sam Fell, Raman Djafari, students from the Royal College of Art and Joanna Quinn herself.
Links and resources
https://www.youtube.com/@AC4PAL
https://togazawith.love/
https://www.instagram.com/ac4pal/
https://www.patreon.com/AnimationStories
https://www.gofundme.com/f/help-haneen-koraz-empower-voices-through-art
Animation Podcasts | Skwigly
Skwigly are proud to present the third panel from the second series of Visible In Visuals, an initiative pushing to make the animation and VFX industries more diverse and inclusive through honest, open conversation.
When the BBC are looking to close the “gender fame” gap, why are they neglecting the “gender frame gap”? Behind the scenes, women are still under-represented in senior creative roles across animation and this is even true on Female-focused commercials like the “Names will be Made” campaign for the UEFA Women's Euros.
Tanya J Scott speaks to Directors Hannah Lau-Walker and Neeraja Raj, as well as Producer Amy Ashton about why are we still failing to see female talent leading large commercials in UK animation.
This episode was sparked by the “Women on Screen, Men in Charge” article by Neeraja, which you can read here: https://www.skwigly.co.uk/women-on-screen-men-in-charge-the-industrys-open-secret/
Picture credit: "She Creates Change" Dir. by Hannah Lau Walker, Production Studio: Nexus Studios
