Louise Burton AMPS MPSE in conversation with Supervising Sound Editor/ Re-Recording Mixer Paul N.J. Ottosson and Production Sound Mixer Thomas Varga about their work on Kathryn Bigalow’s “House of Dynamite”, the challenges of recording and editing a huge ensemble cast multi-stage and how to maintain tension inside the interior space.
This episode is sponsored by Ursa Straps https://ursastraps.com/
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Louise Burton AMPS MPSE in conversation with Supervising Sound Editor/ Re-Recording Mixer Paul N.J. Ottosson and Production Sound Mixer Thomas Varga about their work on Kathryn Bigalow’s “House of Dynamite”, the challenges of recording and editing a huge ensemble cast multi-stage and how to maintain tension inside the interior space.
This episode is sponsored by Ursa Straps https://ursastraps.com/
Chris Welcker, production sound mixer on Sinners https://www.imdb.com/title/tt31193180/ shares his experience of recording live, acoustic music in challenging situations and how he approached the problem of an actor having to have interactions with themselves whilst playing two key characters. Chris goes into detail on how he achieves music recordings on set that have real soul and integrity. Chris is in conversation with Martyn Harries AMPS and talks about how growing up in New Orleans and playing Jazz has shaped his film sound recording career.
This episode is sponsored by URSA Straps https://ursastraps.com/
AMPS Podcast
Louise Burton AMPS MPSE in conversation with Supervising Sound Editor/ Re-Recording Mixer Paul N.J. Ottosson and Production Sound Mixer Thomas Varga about their work on Kathryn Bigalow’s “House of Dynamite”, the challenges of recording and editing a huge ensemble cast multi-stage and how to maintain tension inside the interior space.
This episode is sponsored by Ursa Straps https://ursastraps.com/
