Louise Burton AMPS MPSE in conversation with Supervising Sound Editor/ Re-Recording Mixer Paul N.J. Ottosson and Production Sound Mixer Thomas Varga about their work on Kathryn Bigalow’s “House of Dynamite”, the challenges of recording and editing a huge ensemble cast multi-stage and how to maintain tension inside the interior space.
This episode is sponsored by Ursa Straps https://ursastraps.com/
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Louise Burton AMPS MPSE in conversation with Supervising Sound Editor/ Re-Recording Mixer Paul N.J. Ottosson and Production Sound Mixer Thomas Varga about their work on Kathryn Bigalow’s “House of Dynamite”, the challenges of recording and editing a huge ensemble cast multi-stage and how to maintain tension inside the interior space.
This episode is sponsored by Ursa Straps https://ursastraps.com/
In this episode multi Oscar winning British Re-recording mixer Andy Nelson talks with Andrew Wilson about his career, his amazing body of work, in particular his work on Wicked. He reveals “the one that got away” and how he and Stephen react on their first day of a mix.
This episode is sponsored by URSA Straps https://ursastraps.com/
AMPS Podcast
Louise Burton AMPS MPSE in conversation with Supervising Sound Editor/ Re-Recording Mixer Paul N.J. Ottosson and Production Sound Mixer Thomas Varga about their work on Kathryn Bigalow’s “House of Dynamite”, the challenges of recording and editing a huge ensemble cast multi-stage and how to maintain tension inside the interior space.
This episode is sponsored by Ursa Straps https://ursastraps.com/
