In Episode 63, the trio discuss 1947's Brute Force, with approving reactions across the board to both Burt Lancaster's performance and Jules Dassin's direction of the crime noir film.
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 62, the trio discuss 1956's Forbidden Planet, with all three finding positives in the groundbreaking storyline, technical effects and electronic score of the seminal sci-fi film.
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 61, the trio discuss 1948's Bicycle Thieves, widely considered one of the greatest films in the history of cinema, with George and Jacob celebrating the (neo)realism present in the story while Jason once again comes away disengaged.
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 60, the trio tackle the Australian film movement of Ozploitation, starting with the beginnings of the genre in 1971's Wake in Fright, moving through to The Man From Hong Kong four years later and finishing with the more modern horror of Wolf Creek from 2005.
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 59, the trio discuss 1985's After Hours, with George and Jacob appreciating the offbeat surrealism in what is perhaps Scorsese's most arthouse-like offering, while Jason comes away empty (despite the Kafkaesque elements of the film).
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 58, the trio discuss 2000's O Brother, Where Art Thou?, with Jason and George coming away surprisingly disappointed despite both being fans of The Coen Brothers' previous output, with Jacob appreciating the humour throughout the offbeat production.
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 57, the trio discuss 2013's The Great Beauty, examining the influence of Fellini's La Dolce Vita on the film and praising the technical effects before getting into a discussion on what qualifies a film to be 'pretentious'.
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 56, the trio take a look at the cinema of Hong Kong, with Jason hating the inane humour in Shaolin Soccer, George celebrating Hard Boiled as "the best action film ever made" and Jacob enjoying the martial arts present in The Magnificent Butcher.
Films discussed this week, in order (with spoilers):
Shaolin Soccer (2001)
Hard Boiled (1992)
The Magnificent Butcher (1979)
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 55, the trio discuss 2006's The Lives of Others, with all three praising the accurate representation of fear and repression that would've existed in Stasi-led East Germany.
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 54, the trio discuss 1985's Fright Night, with George and Jacob gushing over the practical special effects while Jason hands out his usual half star, before the group gets into a discussion about film ratings and the limitations of modern horror.
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 53, the trio discuss 2021's The Black Phone, with all three coming away disappointed from the numerous plot holes and reliance on tired horror movie cliches that the film employs.
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 52, Jason and George analyse the myriad of themes in Stanley Kubrick's Eyes Wide Shut, argue about All That Jazz and find common ground in Tarantino's Django Unchained.
Films discussed this week, in order (with spoilers):
Eyes Wide Shut (1999)
All That Jazz (1979)
Django Unchained (2012)
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Music by jorikbasov from Pixabay
In Episode 51, Jason and Jacob discuss three films from 1992, enjoying Tarantino's debut of Reservoir Dogs, finding themselves at opposite ends of the spectrum with Peter Jackson's Braindead and coming away disappointed from Clint Eastwood's Unforgiven.
Films discussed this week, in order (with spoilers):
Reservoir Dogs (1992)
Braindead (1992)
Unforgiven (1992)
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
To celebrate the half-century mark of the podcast, the trio decided to return to the format of group episodes of old, discussing three different topics - the importance of physical media, what makes an auteur and the ability for film to tell stories from underrepresented communities.
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 49, Jason and George tackle some films from the year 2000, commending the complex themes in American Psycho, diverging sharply on Requiem for a Dream and enjoying the epic production that was Crouching Tiger, Hidden Dragon.
Films discussed this week, in order (with spoilers):
American Psycho (2000)
Requiem for a Dream (2000)
Crouching Tiger, Hidden Dragon (2000)
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Music by jorikbasov from Pixabay
In Episode 48, the third group episode for the year, the trio tackle cult films, discussing the macabre humour at the heart of Harold and Maude, praising the 'different' crime thriller that's Point Blank and both revelling and reviling in the unhinged craziness of perhaps the ultimate cult film of all time, 2003's The Room.
Films discussed this week, in order (with spoilers):
Harold and Maude (1971)
Point Blank (1967)
The Room (2003)
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 47, Jason and Jacob discuss the Scorsese classic Raging Bull, differ on their reception to the '80s body horror of From Beyond and extol the groundbreaking achievements of Metropolis.
Films discussed this week, in order (with spoilers):
Raging Bull (1980)
From Beyond (1986)
Metropolis (1927)
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 46, Jason and George gush over the musical masterpiece of Singin' in the Rain, praise the twists present in the neo-noir L.A. Confidential and examine the themes of David Cronenberg's Videodrome.
Films discussed this week, in order (with spoilers):
Singin’ in the Rain (1952)
L.A. Confidential (1997)
Videodrome (1983)
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Music by jorikbasov from Pixabay
In Episode 45, Jason and Jacob discuss the mystery at the heart of The Machinist, unravel the symbolism and allegories presented in Lars von Trier's controversial The House That Jack Built and differ on their enjoyment of the Woody Allen classic Annie Hall.
Films discussed this week, in order (with spoilers):
The Machinist (2004)
Shutter Island (2010)
The House That Jack Built (2018)
American Psycho (the book, but also invariably the 2000 film)
Annie Hall (1977)
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay
In Episode 44, the second group episode for the year, the trio tackle international horror films, with only Jason enjoying the Taiwanese found footage flick Incantation, Jacob and George praising the technical achievements of Dario Argento's cult classic Suspiria and all three finding problems with the South African ecological horror Gaia.
Films discussed this week, in order (with spoilers):
Incantation (2022)
Gaia (2021)
Suspiria (1977)
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Jason's Letterboxd: https://letterboxd.com/JasonPollock/
George's Letterboxd: https://letterboxd.com/frosty123/
Jacob's Letterboxd: https://letterboxd.com/hylianfire/
Music by jorikbasov from Pixabay