In this episode, Kamyar and Rustin interview Armenian-American composer and performer Joseph Bohigian about his latest musical composition, “The Water Has Found Its Crack” (2020), which explores concepts of displacement, dispersion, and cultural preservation in Armenian music. The composition’s title refers to an anecdote shared by Turkish-Armenian journalist Hrant Dink about a French-Armenian woman who died while visiting the village of her youth in Turkey. When the question of where she should be buried arose, a man from the village responded “Let her be buried here...the water has found its crack.” It is a story of Armenians longing to be reunited with their indigenous land, not to take it but, in Dink’s words, “to come and be buried under it.” The discussion begins with Bohighian’s reflections about his family’s displacement during the 1915 Armenian Genocide, his upbringing in the diaspora, and his nine-month stay in Yerevan during which he wrote “The Water Has Found Its Crack.” The conversation then turns to the Armenian music theories and folk songs that influenced the piece, specifically the works of the Komitas (1869-1935), a Kütahya-born priest and musicologist widely known for documenting rural songs of the Armenian countryside. Finally, Bohigian takes us through the composition, highlighting various sections and reciting lyrics sung throughout. Visit Joseph's [Soundcloud to listen to "the Water Has Found Its Crack."](https://soundcloud.com/joey-bohigian/the-water-has-found-its-crack)