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Aced Out Podcast
Ace Alan
32 episodes
7 months ago
visit acedoutpodcast.com to see photos and more When singer/musician/songwriter LINDA SHIDER met the folks in Parliament-Funkadelic, she was working as a stewardess for Pan Am. A friend of hers had just moved to San Francisco, so she invited Linda to come visit. That friend in turn introduced her to a woman who was dating Bernie Worrell, wizard of the boards, and from there she became acquainted with the rest of the funk family, including GARRY SHIDER, whom she wound up hanging out with at a party in L.A. Linda “Legz” had a boyfriend at the time, but she had already been an admirer of the band. “To me, they were like the black Rolling Stones,” she says. “Their aura… their vibe… They were just so intense, and you know they were real sexy onstage.”  Garry kept making comments about Linda and trying to make moves, but she would always rebuff him. Then one day, when the band was at a hotel, some guy came rushing in with a gun, looking for George Clinton, who may or may not have been with his girl. Garry swooped in to protect Linda from the ensuing gunfire by pushing her into a phone booth. He was her hero, and they decided to be a couple soon after. She went on the road with him–following the tour bus in her car, or flying in for certain gigs. Then she joined them onstage for the first time–at Madison Square Garden. She even wound up on the cover of Rock & Soul magazine. But she wasn’t just some random hanger-on in the entourage. She was a leader with a deep background in civil rights advocacy who had fronted her own band, Legz, belting out heavy rock tunes like “Back in Black” by AC/DC. They also released the epic single “It Don’t Come Easy,” a impressively intricate and gooey deep cut which exhibits her complex compositional chops. Indeed, this particular skill led to her becoming one of the very few credited woman songwriters in P-Funk history. It all started with a baby grand which lived in a hallway at United Sound in Detroit, where most of the P-Funk stuff was recorded. A gifted pianist, she just sat down and started playing. Somebody’s ears perked up. “George came by and he said ‘Hm, I like that,’” she recalls. “And he said, ‘Garry… figure out the chords and stuff and let’s go record that bad boy… I think Ima use that for Parlet.’” Garry and the fellas did just that, and a unique track of music began to take form, a mid-tempo, haunting yet poppy combo of funk and prog rock. “Once I heard the whole musical thing gelling,” she continues, “that’s when I came up with the lyrics.” The tune sounded like it was coming from outer space, but she didn’t have to look far for inspiration. “It was a love song,” she says. “A lot of stuff that Garry and I did [was] that kind of material because we were so in love with each other. You know, we were hot and heavy and we just kinda like shared it with people.” The song was called “Are You Dreaming?” and arrived to the world as part of Parlet’s classic debut, the Pleasure Principle. Mrs. Shider was also part of another momentous event in P history: the birth of Garry’s iconic stage outfit, or perhaps we can call it a uniform: the diaper, man. But was it an actual diaper? “It was always a towel,” reveals Linda. “They’d stay at the Holiday Inn a lot, so it has the Holiday Inn logo down the middle.” The story goes that Garry decided to give it a try after seeing George put one on that one time. Garry chose to combine the diaper look with a pacifier and some thigh-high boots. Everyone responded so positively that the simple ensemble stuck thereafter. But did Garry wear underwear under there? “No he did not,’ laughs Linda. “Sometimes the willy would kinda pop out if the diaper was too small… It was kinda scary sometimes as well, you know what was gonna happen… ‘Oh, god. Here we go.’ All the groupies would be like ‘Yes!’”  Like his lovely spouse, Garry Shider was a particularly loyal funk soldier, the only one who stayed with George while all the other members were coming and going–from the day he and Boogie Cordell Mosson left United Soul to join the P, until the unfortunate day that he passed. And as bandleader for (at least) 35 years, Mr. Shider was the herald of the P, the one who would kick off every show, sometimes just playing a little guitar first, then taking the crowd to the highest heights with his golden voice. Even after saying all of that, it is hard to describe what Garry has fully done for that band and its history. “In the studio, he was the vocal arranger,” says Linda. “He’d produce. Most of the time George was off doing drugs somewhere or sleeping with some chick.” But despite her husband's massive contribution to the history and songbook of Parliament-Funkadelic, he always remained humble. As Linda explains, “One of his favorite sayings was ‘I’m no better than my surroundings.’ He said that all the time… He was like ‘I can’t do what I’m doing unless there’s people around me who are keepin up.’’ This philosophy tied in nicely with another one of his trusty sayings: ‘Get in where you fit in.’ To his wife, this meant: “Don’t oversing. Don’t overplay… Just kinda blend, go with the flow. He knew how to get the best out of people.”  Alas, Garry’s humility was perhaps his greatest weakness. Linda was constantly trying to get him to stick up for himself, but always to no avail. “I could make deals for Garry with other people, but he would never let me confront George about maybe a pay increase or something like that,” she laments. “He’d say, ‘You’re gonna turn him off, and it’s gonna probably blow up in your face anyway, so just leave that alone.’” Case in point: Garry was once offered $1 million to replace Lionel Ritchie when he left the Commodores! (George was paying Garry $150 a show at the time). “I said ‘Garry, he just offered you a million dollars,’”she remembers. “‘And you’re gonna turn that down?’ And he would do that every time someone else came up and offered him another option.”  Still, Garry lived his adult life doing exactly what he wanted to do, and not a lot of folks can say that. “He loved being in that group,” says Linda, “and he had a thing for George, like a father kind of relationship –  even though it was one-sided… When he first met Garry, Garry was like 16. He wined and dined him… And once he got into the group, he just used him like he used everybody else.” In the end, Linda begged her husband not to go on the road, but he was there to the very end. Nowadays, since Funk doesn’t really have a retirement fund, Ms. Linda still keeps busy. She paints, makes jewelry and is part of annual the Funkateer’s Ball in Bethesda, MD every September. She also continues to write, going so far as to create the funky comic book, DIAPERMAN, featuring Garry as the far-out titular superhero. “I always remembered when Garry was floating on that thin wire over the stadiums and coliseums and stuff, how scary it was,” she says, explaining how she came up with the concept. “I felt like, since he was the one that volunteered to do it, that he earned some credit for that… And it was his 70th birthday in July, so I figured it was a good time to do it.” In this wide-ranging and extremely candid interview, Mrs. Shider talks about her days as a preferred extra in Robocop and other Hollywood movies, her work with Stokely Carmichael and run-ins with the Klan, and how much she loved to sing “Red Hot Mama” onstage. She also reveals details about her husband’s final days, her efforts to preserve his legacy, why ladies have always been important to P-Funk, and how badly George ruined that one song they did.   Produced and Hosted by Ace Alan Executive Producer Scott Sheppard w/ Content Produced by Linda Shider Website, Merch & Graphics by 3chards Sound Engineered by Grace Coleman @ Different Fur Studios – SF, CA Filmed by Domenique Scioli w/ Don Scioli for ZAN Media Sound & Video Editing, MIxing & Graphics by Nick “WAES” Carden for Off Hand Records – Oak, CA w/ thanks to Christian Low, Shaunna Hall, Dawn Silva, & Chris Lander      Featuring: “It Don’t Come Easy” by Legz w/ Linda Shider “Desert Flower” by Children of Production feat. Linda Shider, Garry Shider, & Gary “Mudbone” Cooper “I Remember” from Tale of Two Funkys feat. Garry Shider & Linda Shider “Glory of Love” from Tale of Two Funkys feat. Linda Shider “V.I.P” by the Neon Romeoz   Copyright © 2023 Isaac Bradbury Productions visit acedoutpodcast.com to see photos and more
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visit acedoutpodcast.com to see photos and more When singer/musician/songwriter LINDA SHIDER met the folks in Parliament-Funkadelic, she was working as a stewardess for Pan Am. A friend of hers had just moved to San Francisco, so she invited Linda to come visit. That friend in turn introduced her to a woman who was dating Bernie Worrell, wizard of the boards, and from there she became acquainted with the rest of the funk family, including GARRY SHIDER, whom she wound up hanging out with at a party in L.A. Linda “Legz” had a boyfriend at the time, but she had already been an admirer of the band. “To me, they were like the black Rolling Stones,” she says. “Their aura… their vibe… They were just so intense, and you know they were real sexy onstage.”  Garry kept making comments about Linda and trying to make moves, but she would always rebuff him. Then one day, when the band was at a hotel, some guy came rushing in with a gun, looking for George Clinton, who may or may not have been with his girl. Garry swooped in to protect Linda from the ensuing gunfire by pushing her into a phone booth. He was her hero, and they decided to be a couple soon after. She went on the road with him–following the tour bus in her car, or flying in for certain gigs. Then she joined them onstage for the first time–at Madison Square Garden. She even wound up on the cover of Rock & Soul magazine. But she wasn’t just some random hanger-on in the entourage. She was a leader with a deep background in civil rights advocacy who had fronted her own band, Legz, belting out heavy rock tunes like “Back in Black” by AC/DC. They also released the epic single “It Don’t Come Easy,” a impressively intricate and gooey deep cut which exhibits her complex compositional chops. Indeed, this particular skill led to her becoming one of the very few credited woman songwriters in P-Funk history. It all started with a baby grand which lived in a hallway at United Sound in Detroit, where most of the P-Funk stuff was recorded. A gifted pianist, she just sat down and started playing. Somebody’s ears perked up. “George came by and he said ‘Hm, I like that,’” she recalls. “And he said, ‘Garry… figure out the chords and stuff and let’s go record that bad boy… I think Ima use that for Parlet.’” Garry and the fellas did just that, and a unique track of music began to take form, a mid-tempo, haunting yet poppy combo of funk and prog rock. “Once I heard the whole musical thing gelling,” she continues, “that’s when I came up with the lyrics.” The tune sounded like it was coming from outer space, but she didn’t have to look far for inspiration. “It was a love song,” she says. “A lot of stuff that Garry and I did [was] that kind of material because we were so in love with each other. You know, we were hot and heavy and we just kinda like shared it with people.” The song was called “Are You Dreaming?” and arrived to the world as part of Parlet’s classic debut, the Pleasure Principle. Mrs. Shider was also part of another momentous event in P history: the birth of Garry’s iconic stage outfit, or perhaps we can call it a uniform: the diaper, man. But was it an actual diaper? “It was always a towel,” reveals Linda. “They’d stay at the Holiday Inn a lot, so it has the Holiday Inn logo down the middle.” The story goes that Garry decided to give it a try after seeing George put one on that one time. Garry chose to combine the diaper look with a pacifier and some thigh-high boots. Everyone responded so positively that the simple ensemble stuck thereafter. But did Garry wear underwear under there? “No he did not,’ laughs Linda. “Sometimes the willy would kinda pop out if the diaper was too small… It was kinda scary sometimes as well, you know what was gonna happen… ‘Oh, god. Here we go.’ All the groupies would be like ‘Yes!’”  Like his lovely spouse, Garry Shider was a particularly loyal funk soldier, the only one who stayed with George while all the other members were coming and going–from the day he and Boogie Cordell Mosson left United Soul to join the P, until the unfortunate day that he passed. And as bandleader for (at least) 35 years, Mr. Shider was the herald of the P, the one who would kick off every show, sometimes just playing a little guitar first, then taking the crowd to the highest heights with his golden voice. Even after saying all of that, it is hard to describe what Garry has fully done for that band and its history. “In the studio, he was the vocal arranger,” says Linda. “He’d produce. Most of the time George was off doing drugs somewhere or sleeping with some chick.” But despite her husband's massive contribution to the history and songbook of Parliament-Funkadelic, he always remained humble. As Linda explains, “One of his favorite sayings was ‘I’m no better than my surroundings.’ He said that all the time… He was like ‘I can’t do what I’m doing unless there’s people around me who are keepin up.’’ This philosophy tied in nicely with another one of his trusty sayings: ‘Get in where you fit in.’ To his wife, this meant: “Don’t oversing. Don’t overplay… Just kinda blend, go with the flow. He knew how to get the best out of people.”  Alas, Garry’s humility was perhaps his greatest weakness. Linda was constantly trying to get him to stick up for himself, but always to no avail. “I could make deals for Garry with other people, but he would never let me confront George about maybe a pay increase or something like that,” she laments. “He’d say, ‘You’re gonna turn him off, and it’s gonna probably blow up in your face anyway, so just leave that alone.’” Case in point: Garry was once offered $1 million to replace Lionel Ritchie when he left the Commodores! (George was paying Garry $150 a show at the time). “I said ‘Garry, he just offered you a million dollars,’”she remembers. “‘And you’re gonna turn that down?’ And he would do that every time someone else came up and offered him another option.”  Still, Garry lived his adult life doing exactly what he wanted to do, and not a lot of folks can say that. “He loved being in that group,” says Linda, “and he had a thing for George, like a father kind of relationship –  even though it was one-sided… When he first met Garry, Garry was like 16. He wined and dined him… And once he got into the group, he just used him like he used everybody else.” In the end, Linda begged her husband not to go on the road, but he was there to the very end. Nowadays, since Funk doesn’t really have a retirement fund, Ms. Linda still keeps busy. She paints, makes jewelry and is part of annual the Funkateer’s Ball in Bethesda, MD every September. She also continues to write, going so far as to create the funky comic book, DIAPERMAN, featuring Garry as the far-out titular superhero. “I always remembered when Garry was floating on that thin wire over the stadiums and coliseums and stuff, how scary it was,” she says, explaining how she came up with the concept. “I felt like, since he was the one that volunteered to do it, that he earned some credit for that… And it was his 70th birthday in July, so I figured it was a good time to do it.” In this wide-ranging and extremely candid interview, Mrs. Shider talks about her days as a preferred extra in Robocop and other Hollywood movies, her work with Stokely Carmichael and run-ins with the Klan, and how much she loved to sing “Red Hot Mama” onstage. She also reveals details about her husband’s final days, her efforts to preserve his legacy, why ladies have always been important to P-Funk, and how badly George ruined that one song they did.   Produced and Hosted by Ace Alan Executive Producer Scott Sheppard w/ Content Produced by Linda Shider Website, Merch & Graphics by 3chards Sound Engineered by Grace Coleman @ Different Fur Studios – SF, CA Filmed by Domenique Scioli w/ Don Scioli for ZAN Media Sound & Video Editing, MIxing & Graphics by Nick “WAES” Carden for Off Hand Records – Oak, CA w/ thanks to Christian Low, Shaunna Hall, Dawn Silva, & Chris Lander      Featuring: “It Don’t Come Easy” by Legz w/ Linda Shider “Desert Flower” by Children of Production feat. Linda Shider, Garry Shider, & Gary “Mudbone” Cooper “I Remember” from Tale of Two Funkys feat. Garry Shider & Linda Shider “Glory of Love” from Tale of Two Funkys feat. Linda Shider “V.I.P” by the Neon Romeoz   Copyright © 2023 Isaac Bradbury Productions visit acedoutpodcast.com to see photos and more
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Music History,
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EP 20: Marshall Thompson [CHI-LITES]
Aced Out Podcast
1 hour 19 minutes 33 seconds
4 years ago
EP 20: Marshall Thompson [CHI-LITES]
** visit acedoutpodcast.com to see photos and more ** 2021 is the year that MARSHALL THOMPSON—driving force and choreographer for Chicago hitmakers the CHI-LITES—shimmies from star to superstar status. Specifically, his group has been selected for inclusion among this year’s additions to the Hollywood Walk of Fame. And it’s been a long time coming. Between 1969 and 1974, the Chi-Lites sold millions of copies of their 11 top ten hits, including their eternal crowning achievements, “Have You Seen Her” (from [For God’s Sake] Give More Power to the People, 1971) and “Oh Girl” (from A Lonely Man, 1972).  The honor of receiving a Hollywood star brings things full circle for Thompson, as Gladys Knight will be performing for the occasion. She’s the one who gave Marshall his first big break—on the drums. As a teen, he was always sneaking into the Regal Theatre, only to be tossed out into the snow by the bouncer. But when he found out that Knight would be appearing, he hatched a plan. He rehearsed for weeks in the family basement, mastering the beats to all of her songs. Then he went and got himself some slick threads: cross tie, patent leather shoes, black slacks, and white shirt. When he showed up at the Regal on the big night, he looked like all the other fellas in the house band. So he walked right in with everybody else, the bouncer none the wiser.  Now this was big time. The band was at least two dozen pieces, led by none other than Red Saunders! Yet his drummer just couldn’t get the feel down. This was Thompson’s big chance. “The drummer couldn’t play the music,” he recalls “So I raised my hand… ‘Hey Ms. Gladys! Can I play your show?’ She said, ‘Come on up here. Showtime is in about 2 hours and this guy’s messin up.’” He got the gig and played with her for the week. From there, he got a chance to record with Jackie Wilson, and toured with Major Lance.   Despite all this success on the skins, dancing and singing would prove to be Thompson’s true calling. He was part of a group called the Desideros with Creadel “Red” Jones. They were frenemies with another clique of singers, the Chanteurs, which included Robert “Squirrel” Lester and songwriter Eugene Record. They would battle all the time.  “They could sing real good, and we could dance real good,” Marshall explains. So when both bands broke up, they knew it would be a smart play to join forces. “We went over to their group and I taught them to dance and they had to teach us how to sing like them,” he says.  Marshall & the Hi-Lites was born. Throughout the 60s, they pounded the pavement, trying to make it. They recorded singles on local labels, but by the time they got signed to Brunswick, they discovered another band was already using the ‘Hi-Lites’ name. So they decided to change it to ‘Chi-Lites’ in honor of their homebase. That was the good luck charm, because not long after the 70s rolled in, they scored their first million-selling single, “(For God’s Sake) Give More Power to the People.”  But “Have You Seen Her” was the real groundbreaker. It was a B-side at first, a tune that the Chi-Lites’ band hadn’t even bothered to rehearse for live shows. Then one night, when the group was out on the road at a gig, the crowd started screaming and hollering for the song. So they sang it a cappella, over and over again for 15 minutes. After that, they were selling 10k copies per day. The amazing part was the song clocked in at over five minutes, twice as long as the average single in those days. “We didn’t think we were gonna get it on the radio,” says Marshall. “It was too long… But the record started selling so much they said ‘Leave it like it is.’”    From there, the hits just kept coming. And along the way, Marshall made some amazing contributions to music history outside of the group as well. In this rare gem of an interview, Marshall talks about being managed by Muhammad Ali in the early years, how he started Soul Train with his good friend Don Cornelius, and helping Joe Jackson and the Jackson Five get their start, introducing them to Bobby Taylor. Thompson also raps about being the Chi-Lite’s official hairdresser, why engineer Bruce Vadim built a special microphone for each member, and how they developed their dance moves and harmonies.  Produced & Hosted by Ace AlanCohosted by Jay Stonew/ Content Produced by Renee Michele Collins, Nat Collins, & Jay StoneWebsite & Art by 3chardsIn-Studio Pics by Debbie JueEngineered by Nick “Waes” Carden at the Blue Room in Oakland, CA  But we couldn’t have done it without Mawnstr and especially Scott Sheppard Intro track “I Can Never Be” from Basic Instructions Before Leaving Earth by the Funkanauts. Go get it wherever music is sold. RIP Brotha P. Next Episode: Grady Thomas 
Aced Out Podcast
visit acedoutpodcast.com to see photos and more When singer/musician/songwriter LINDA SHIDER met the folks in Parliament-Funkadelic, she was working as a stewardess for Pan Am. A friend of hers had just moved to San Francisco, so she invited Linda to come visit. That friend in turn introduced her to a woman who was dating Bernie Worrell, wizard of the boards, and from there she became acquainted with the rest of the funk family, including GARRY SHIDER, whom she wound up hanging out with at a party in L.A. Linda “Legz” had a boyfriend at the time, but she had already been an admirer of the band. “To me, they were like the black Rolling Stones,” she says. “Their aura… their vibe… They were just so intense, and you know they were real sexy onstage.”  Garry kept making comments about Linda and trying to make moves, but she would always rebuff him. Then one day, when the band was at a hotel, some guy came rushing in with a gun, looking for George Clinton, who may or may not have been with his girl. Garry swooped in to protect Linda from the ensuing gunfire by pushing her into a phone booth. He was her hero, and they decided to be a couple soon after. She went on the road with him–following the tour bus in her car, or flying in for certain gigs. Then she joined them onstage for the first time–at Madison Square Garden. She even wound up on the cover of Rock & Soul magazine. But she wasn’t just some random hanger-on in the entourage. She was a leader with a deep background in civil rights advocacy who had fronted her own band, Legz, belting out heavy rock tunes like “Back in Black” by AC/DC. They also released the epic single “It Don’t Come Easy,” a impressively intricate and gooey deep cut which exhibits her complex compositional chops. Indeed, this particular skill led to her becoming one of the very few credited woman songwriters in P-Funk history. It all started with a baby grand which lived in a hallway at United Sound in Detroit, where most of the P-Funk stuff was recorded. A gifted pianist, she just sat down and started playing. Somebody’s ears perked up. “George came by and he said ‘Hm, I like that,’” she recalls. “And he said, ‘Garry… figure out the chords and stuff and let’s go record that bad boy… I think Ima use that for Parlet.’” Garry and the fellas did just that, and a unique track of music began to take form, a mid-tempo, haunting yet poppy combo of funk and prog rock. “Once I heard the whole musical thing gelling,” she continues, “that’s when I came up with the lyrics.” The tune sounded like it was coming from outer space, but she didn’t have to look far for inspiration. “It was a love song,” she says. “A lot of stuff that Garry and I did [was] that kind of material because we were so in love with each other. You know, we were hot and heavy and we just kinda like shared it with people.” The song was called “Are You Dreaming?” and arrived to the world as part of Parlet’s classic debut, the Pleasure Principle. Mrs. Shider was also part of another momentous event in P history: the birth of Garry’s iconic stage outfit, or perhaps we can call it a uniform: the diaper, man. But was it an actual diaper? “It was always a towel,” reveals Linda. “They’d stay at the Holiday Inn a lot, so it has the Holiday Inn logo down the middle.” The story goes that Garry decided to give it a try after seeing George put one on that one time. Garry chose to combine the diaper look with a pacifier and some thigh-high boots. Everyone responded so positively that the simple ensemble stuck thereafter. But did Garry wear underwear under there? “No he did not,’ laughs Linda. “Sometimes the willy would kinda pop out if the diaper was too small… It was kinda scary sometimes as well, you know what was gonna happen… ‘Oh, god. Here we go.’ All the groupies would be like ‘Yes!’”  Like his lovely spouse, Garry Shider was a particularly loyal funk soldier, the only one who stayed with George while all the other members were coming and going–from the day he and Boogie Cordell Mosson left United Soul to join the P, until the unfortunate day that he passed. And as bandleader for (at least) 35 years, Mr. Shider was the herald of the P, the one who would kick off every show, sometimes just playing a little guitar first, then taking the crowd to the highest heights with his golden voice. Even after saying all of that, it is hard to describe what Garry has fully done for that band and its history. “In the studio, he was the vocal arranger,” says Linda. “He’d produce. Most of the time George was off doing drugs somewhere or sleeping with some chick.” But despite her husband's massive contribution to the history and songbook of Parliament-Funkadelic, he always remained humble. As Linda explains, “One of his favorite sayings was ‘I’m no better than my surroundings.’ He said that all the time… He was like ‘I can’t do what I’m doing unless there’s people around me who are keepin up.’’ This philosophy tied in nicely with another one of his trusty sayings: ‘Get in where you fit in.’ To his wife, this meant: “Don’t oversing. Don’t overplay… Just kinda blend, go with the flow. He knew how to get the best out of people.”  Alas, Garry’s humility was perhaps his greatest weakness. Linda was constantly trying to get him to stick up for himself, but always to no avail. “I could make deals for Garry with other people, but he would never let me confront George about maybe a pay increase or something like that,” she laments. “He’d say, ‘You’re gonna turn him off, and it’s gonna probably blow up in your face anyway, so just leave that alone.’” Case in point: Garry was once offered $1 million to replace Lionel Ritchie when he left the Commodores! (George was paying Garry $150 a show at the time). “I said ‘Garry, he just offered you a million dollars,’”she remembers. “‘And you’re gonna turn that down?’ And he would do that every time someone else came up and offered him another option.”  Still, Garry lived his adult life doing exactly what he wanted to do, and not a lot of folks can say that. “He loved being in that group,” says Linda, “and he had a thing for George, like a father kind of relationship –  even though it was one-sided… When he first met Garry, Garry was like 16. He wined and dined him… And once he got into the group, he just used him like he used everybody else.” In the end, Linda begged her husband not to go on the road, but he was there to the very end. Nowadays, since Funk doesn’t really have a retirement fund, Ms. Linda still keeps busy. She paints, makes jewelry and is part of annual the Funkateer’s Ball in Bethesda, MD every September. She also continues to write, going so far as to create the funky comic book, DIAPERMAN, featuring Garry as the far-out titular superhero. “I always remembered when Garry was floating on that thin wire over the stadiums and coliseums and stuff, how scary it was,” she says, explaining how she came up with the concept. “I felt like, since he was the one that volunteered to do it, that he earned some credit for that… And it was his 70th birthday in July, so I figured it was a good time to do it.” In this wide-ranging and extremely candid interview, Mrs. Shider talks about her days as a preferred extra in Robocop and other Hollywood movies, her work with Stokely Carmichael and run-ins with the Klan, and how much she loved to sing “Red Hot Mama” onstage. She also reveals details about her husband’s final days, her efforts to preserve his legacy, why ladies have always been important to P-Funk, and how badly George ruined that one song they did.   Produced and Hosted by Ace Alan Executive Producer Scott Sheppard w/ Content Produced by Linda Shider Website, Merch & Graphics by 3chards Sound Engineered by Grace Coleman @ Different Fur Studios – SF, CA Filmed by Domenique Scioli w/ Don Scioli for ZAN Media Sound & Video Editing, MIxing & Graphics by Nick “WAES” Carden for Off Hand Records – Oak, CA w/ thanks to Christian Low, Shaunna Hall, Dawn Silva, & Chris Lander      Featuring: “It Don’t Come Easy” by Legz w/ Linda Shider “Desert Flower” by Children of Production feat. Linda Shider, Garry Shider, & Gary “Mudbone” Cooper “I Remember” from Tale of Two Funkys feat. Garry Shider & Linda Shider “Glory of Love” from Tale of Two Funkys feat. Linda Shider “V.I.P” by the Neon Romeoz   Copyright © 2023 Isaac Bradbury Productions visit acedoutpodcast.com to see photos and more