Able Audio explores the intersection of disability and music technology. Join host Sam Morgan, as this six episode podcast series seeks to bring to light the exciting work people are doing in this space, elevating the voices and concerns of disabled people in music technology.
In each episode, we talk to a different music technologist about their practice, background in music, and how their work intersects with the world of disability.
Welcome to the Able Audio podcast, proudly bought to you by the New Zealand Music Commission with support from Arts Access Aotearoa.
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Able Audio explores the intersection of disability and music technology. Join host Sam Morgan, as this six episode podcast series seeks to bring to light the exciting work people are doing in this space, elevating the voices and concerns of disabled people in music technology.
In each episode, we talk to a different music technologist about their practice, background in music, and how their work intersects with the world of disability.
Welcome to the Able Audio podcast, proudly bought to you by the New Zealand Music Commission with support from Arts Access Aotearoa.
Chris Ankin works a lot engaging with audio workstations and, in particular, works with Native Instruments’ Komplete Kontrol Keyboards as an accessible midi controller. Chris runs a website called KK-ACCESS that provides resources on how to get started with the Komplete Kontrol and his advocacy works towards encouraging music technology companies to make their products increasingly accessible.
Able Audio
Able Audio explores the intersection of disability and music technology. Join host Sam Morgan, as this six episode podcast series seeks to bring to light the exciting work people are doing in this space, elevating the voices and concerns of disabled people in music technology.
In each episode, we talk to a different music technologist about their practice, background in music, and how their work intersects with the world of disability.
Welcome to the Able Audio podcast, proudly bought to you by the New Zealand Music Commission with support from Arts Access Aotearoa.