Andrew Constantine interviews celebrities from behind the scenes in the classical music industry in ”A Stick With A Point”. This innovative and thought provoking podcast turns the spotlight on composers, directors, record producers, venue managers, radio broadcasters and many more!
“A Stick With A Point” goes beyond the glib and the glamour of the classical music business, avoiding clichés as much as possible and explores the vast, extended network that makes the industry hang together.
All content for A Stick With A Point is the property of Andrew Constantine and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Andrew Constantine interviews celebrities from behind the scenes in the classical music industry in ”A Stick With A Point”. This innovative and thought provoking podcast turns the spotlight on composers, directors, record producers, venue managers, radio broadcasters and many more!
“A Stick With A Point” goes beyond the glib and the glamour of the classical music business, avoiding clichés as much as possible and explores the vast, extended network that makes the industry hang together.
Jessica Brennan - Director of the Menuhin Competition and Donatella Flick/LSO Conducting Competition
A Stick With A Point
39 minutes 3 seconds
4 years ago
Jessica Brennan - Director of the Menuhin Competition and Donatella Flick/LSO Conducting Competition
Director of both the Donatella Flick/LSO Conducting Competition and Menuhin Competition, Jessica Brennan, gives the low down on how these celebrated events come together, what their role is and challenging moments en route!
A Stick With A Point
Andrew Constantine interviews celebrities from behind the scenes in the classical music industry in ”A Stick With A Point”. This innovative and thought provoking podcast turns the spotlight on composers, directors, record producers, venue managers, radio broadcasters and many more!
“A Stick With A Point” goes beyond the glib and the glamour of the classical music business, avoiding clichés as much as possible and explores the vast, extended network that makes the industry hang together.
