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A Score To Settle
Brian McVickar
55 episodes
9 months ago
A Score To Settle was initially my blog in which I discussed my soundtrack collection in relation to personal moments and memories. After a number of years, I decided to expand this topic into a podcast, so I could share more about the music. Retaining the same name, A Score To Settle is a podcast about music composed for Film and Television, through my own analysis of specific scores and album releases, overviews of certain composer careers and also interviews, both with those working in the industry and fellow fans. [CURRENTLY ON HIATUS]
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Music Commentary
TV & Film,
Music
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All content for A Score To Settle is the property of Brian McVickar and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
A Score To Settle was initially my blog in which I discussed my soundtrack collection in relation to personal moments and memories. After a number of years, I decided to expand this topic into a podcast, so I could share more about the music. Retaining the same name, A Score To Settle is a podcast about music composed for Film and Television, through my own analysis of specific scores and album releases, overviews of certain composer careers and also interviews, both with those working in the industry and fellow fans. [CURRENTLY ON HIATUS]
Show more...
Music Commentary
TV & Film,
Music
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ASTS 048: Listening To... Music for ”Predator” and ”Prey”
A Score To Settle
1 hour 35 minutes 49 seconds
3 years ago
ASTS 048: Listening To... Music for ”Predator” and ”Prey”
Welcome back to the podcast! In this episode, I present and examine the music composed for the PREDATOR film franchise, from the 1987 original through to the latest installment, PREY, released via the streaming service Hulu in August 2022. My goal is to identify the themes, motifs, instrumentation and approach applied by composer Alan Silvestri (BACK TO THE FUTURE, MOUSE HUNT, THE AVENGERS) to PREDATOR (1987) & PREDATOR 2 (1990) and how this symphonic model was subsequently interpreted in the sequels and spin-offs (or not). Later, PREY eschews much of the previous musical language and charts new sonic territory, with a subtle nod to Silvestri. Additional composers represented in this pulse-pounding episode include John Debney, Brian Tyler, Henry Jackman, Harald Kloser and Sarah Schachner.    Title playtime index: PREDATOR - 00:00:00 PREDATOR 2 - 00:26:25 ALIEN VS PREDATOR - 00:37:10 ALIENS VS PREDATOR: REQUIEM - 00:44:36 PREDATORS - 00:51:52 THE PREDATOR - 1:04:48 PREY - 1:19:23   Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com  
A Score To Settle
A Score To Settle was initially my blog in which I discussed my soundtrack collection in relation to personal moments and memories. After a number of years, I decided to expand this topic into a podcast, so I could share more about the music. Retaining the same name, A Score To Settle is a podcast about music composed for Film and Television, through my own analysis of specific scores and album releases, overviews of certain composer careers and also interviews, both with those working in the industry and fellow fans. [CURRENTLY ON HIATUS]