Send us a text Mike and Nick dive into the kaleidoscopic prism of deep colour, fantastic soundtracks, and brutal murder at the hands of one of horror's most famous maestros: Dario Argento. Having only seen the remake, Mike compares the original Suspiria and how his feelings differ between the two. Both hosts try to make heads from tails in the narrative of Inferno and ponder if it's better to just try to "relax" into the vibes.
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Send us a text Mike and Nick dive into the kaleidoscopic prism of deep colour, fantastic soundtracks, and brutal murder at the hands of one of horror's most famous maestros: Dario Argento. Having only seen the remake, Mike compares the original Suspiria and how his feelings differ between the two. Both hosts try to make heads from tails in the narrative of Inferno and ponder if it's better to just try to "relax" into the vibes.
Mike and Nick talk more Bergman. They try to find that summer feeling with one of Bergman's earlier masterworks. At least that's what some say. The beginnings of some of Bergman's bigger ideas also start to take form here. The pair share their two cents and how this one differs from previous works. Find out Summer Interlude stacks up against Bergman's other works.
A Filmversation with Mike and Nick
Send us a text Mike and Nick dive into the kaleidoscopic prism of deep colour, fantastic soundtracks, and brutal murder at the hands of one of horror's most famous maestros: Dario Argento. Having only seen the remake, Mike compares the original Suspiria and how his feelings differ between the two. Both hosts try to make heads from tails in the narrative of Inferno and ponder if it's better to just try to "relax" into the vibes.
