In this episode, I unpack what ASCAP, BMI, and SOCAN’s new policy on partially AI-generated works means for production music composers. We’ll talk about where the line is between using AI as a creative assistant and letting it compose for you, what this shift means for publishers and libraries, and whether the “stink of AI” will ever really go away. Plus we take a listen to a brooding intrigue cue, "Crisis Me a River." Watch this episode on YouTube - https://youtu.be/pIELNVxo73Q https://www.b...
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In this episode, I unpack what ASCAP, BMI, and SOCAN’s new policy on partially AI-generated works means for production music composers. We’ll talk about where the line is between using AI as a creative assistant and letting it compose for you, what this shift means for publishers and libraries, and whether the “stink of AI” will ever really go away. Plus we take a listen to a brooding intrigue cue, "Crisis Me a River." Watch this episode on YouTube - https://youtu.be/pIELNVxo73Q https://www.b...
In this episode, I unpack what it really means to write an editor-friendly cue. We’ll look at the six essentials that reduce friction in the edit bay and I'll walk through a Shark Week investigation cue I recently wrote and put it to the test. Watch this episode on YouTube: https://youtu.be/2FoaMZuqekk Cymbal SFX - Bowed! Elevate your soundscapes with Cymbal SFX - Bowed—a masterful collection of 68 unique bowed cymbal performances, meticulously recorded for tension-filled tracks and cinematic...
52 Cues - A Production Music and Sync Podcast
In this episode, I unpack what ASCAP, BMI, and SOCAN’s new policy on partially AI-generated works means for production music composers. We’ll talk about where the line is between using AI as a creative assistant and letting it compose for you, what this shift means for publishers and libraries, and whether the “stink of AI” will ever really go away. Plus we take a listen to a brooding intrigue cue, "Crisis Me a River." Watch this episode on YouTube - https://youtu.be/pIELNVxo73Q https://www.b...
