In this episode, I unpack what ASCAP, BMI, and SOCAN’s new policy on partially AI-generated works means for production music composers. We’ll talk about where the line is between using AI as a creative assistant and letting it compose for you, what this shift means for publishers and libraries, and whether the “stink of AI” will ever really go away. Plus we take a listen to a brooding intrigue cue, "Crisis Me a River." Watch this episode on YouTube - https://youtu.be/pIELNVxo73Q https://www.b...
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In this episode, I unpack what ASCAP, BMI, and SOCAN’s new policy on partially AI-generated works means for production music composers. We’ll talk about where the line is between using AI as a creative assistant and letting it compose for you, what this shift means for publishers and libraries, and whether the “stink of AI” will ever really go away. Plus we take a listen to a brooding intrigue cue, "Crisis Me a River." Watch this episode on YouTube - https://youtu.be/pIELNVxo73Q https://www.b...
In this episode, we’re unpacking tasking cues – the music that underscores moments of focus, pacing, and process in reality TV and beyond. We’ll talk about what makes them work, where they’re used, and break down one of my own inside the DAW. Watch this episode on YouTube - https://youtu.be/wzAwYf4O9x8 Cymbal SFX - Bowed! Elevate your soundscapes with Cymbal SFX - Bowed—a masterful collection of 68 unique bowed cymbal performances, meticulously recorded for tension-filled tracks and cinematic...
52 Cues - A Production Music and Sync Podcast
In this episode, I unpack what ASCAP, BMI, and SOCAN’s new policy on partially AI-generated works means for production music composers. We’ll talk about where the line is between using AI as a creative assistant and letting it compose for you, what this shift means for publishers and libraries, and whether the “stink of AI” will ever really go away. Plus we take a listen to a brooding intrigue cue, "Crisis Me a River." Watch this episode on YouTube - https://youtu.be/pIELNVxo73Q https://www.b...
