In this episode, I unpack what ASCAP, BMI, and SOCAN’s new policy on partially AI-generated works means for production music composers. We’ll talk about where the line is between using AI as a creative assistant and letting it compose for you, what this shift means for publishers and libraries, and whether the “stink of AI” will ever really go away. Plus we take a listen to a brooding intrigue cue, "Crisis Me a River." Watch this episode on YouTube - https://youtu.be/pIELNVxo73Q https://www.b...
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In this episode, I unpack what ASCAP, BMI, and SOCAN’s new policy on partially AI-generated works means for production music composers. We’ll talk about where the line is between using AI as a creative assistant and letting it compose for you, what this shift means for publishers and libraries, and whether the “stink of AI” will ever really go away. Plus we take a listen to a brooding intrigue cue, "Crisis Me a River." Watch this episode on YouTube - https://youtu.be/pIELNVxo73Q https://www.b...
In this episode, Sam Hulick and Sara Pocius from ReelCrafter return to talk about the brand-new ReelCrafter 2.5 update, what’s new under the hood, and how it helps composers pitch smarter and present their music professionally. Plus, we’re unveiling a new feature for the Friends and Family of 52 Cues! Watch this episode on YouTube - https://youtu.be/qeE7b2WqcN8 https://www.reelcrafter.com/52cues Use code 52CUESSA for your first 2 months free! Cymbal SFX - Bowed! Elevate your soundscapes with ...
52 Cues - A Production Music and Sync Podcast
In this episode, I unpack what ASCAP, BMI, and SOCAN’s new policy on partially AI-generated works means for production music composers. We’ll talk about where the line is between using AI as a creative assistant and letting it compose for you, what this shift means for publishers and libraries, and whether the “stink of AI” will ever really go away. Plus we take a listen to a brooding intrigue cue, "Crisis Me a River." Watch this episode on YouTube - https://youtu.be/pIELNVxo73Q https://www.b...
