This episode of 2MF features a conversation with artists Jenny Lee and Zuriel Waters of Sister Gallery following a meeting at Knockdown Center on November 20, 2016. The artists speaks with hosts Sonya Derman and Maria Stabio about how the structure of the office informs artists practices. We discuss the increasing professionalization, advanced degrees, and bureaucracies in the art world(s), and the benefits and downfalls from internalizing these structures. How do New York City artists, particularly with a studio-based practice, navigate, use, or subvert these systems while maintaining a sense of authenticity and purpose?
Music on this episode is “Sixteen Tons” by Tennessee Ernie Ford.
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This episode of 2MF features a conversation with artists Jenny Lee and Zuriel Waters of Sister Gallery following a meeting at Knockdown Center on November 20, 2016. The artists speaks with hosts Sonya Derman and Maria Stabio about how the structure of the office informs artists practices. We discuss the increasing professionalization, advanced degrees, and bureaucracies in the art world(s), and the benefits and downfalls from internalizing these structures. How do New York City artists, particularly with a studio-based practice, navigate, use, or subvert these systems while maintaining a sense of authenticity and purpose?
Music on this episode is “Sixteen Tons” by Tennessee Ernie Ford.
Mr. Heiges speaks with Maria Stabio and Sonya Derman about domestic spaces and living with art over time. Comparing Donald Trump and Jackie Kennedy’s publicized tours of their homes, we reflect on the ways that people’s relationship with objects and interior architecture promote value systems as well as political myth-making.
2MF on Clocktower Radio
This episode of 2MF features a conversation with artists Jenny Lee and Zuriel Waters of Sister Gallery following a meeting at Knockdown Center on November 20, 2016. The artists speaks with hosts Sonya Derman and Maria Stabio about how the structure of the office informs artists practices. We discuss the increasing professionalization, advanced degrees, and bureaucracies in the art world(s), and the benefits and downfalls from internalizing these structures. How do New York City artists, particularly with a studio-based practice, navigate, use, or subvert these systems while maintaining a sense of authenticity and purpose?
Music on this episode is “Sixteen Tons” by Tennessee Ernie Ford.
