「給火星人類學家」展覽援引比利時藝評家蒂埃里・德・迪弗於《以藝術之名》中假想的未來場景，邀請藝術家在網路空間以及實體現場，為日後可能登陸地球的「火星人類學家」，留下可供其考察人類文明的各式線索。藝術家將以「網頁」作為作品實質發生的特定場所，實體場所則作為作品延伸的界面，佈署與線上作品遙相呼應的索引。
策展人：張君懿
藝術家：陳萬仁、齊簡、克羅德・克羅斯基、艾瑞克・瓦提耶、杜利安・高登、徐瑞謙、何采柔、澎葉生、賴志盛、時永駿、郭文泰 × 河床劇團、牛俊強、李明學、謝佑承、王雅慧。
線上展區：martian.beauxarts.tw
實體展區：新北市藝文中心｜展期：08/04-09/28
粉絲專頁：www.facebook.com/ToMartianAnthropologists/
The exhibition To Martian Anthropologists invokes the imaginary future scenes from In the Name of Art by the Belgic art critic, Thierry de Duve, and invites the artists to leave, both in cyberspace and in the physical venue, all kinds of clues for the martian anthropologists who might land on Earth someday to launch a field research on the human civilizations. For the artists, web pages will be the specific site where the artworks actually take place, and the physical venue serves as an extended interface and an index of deployment echoing remotely the online artworks.
Curator: Chun-Yi CHANG
Artist: Wan-Jen CHEN（TW）, Chien CHI（TW）, Claude CLOSKY（FR), Yannick DAUBY（FR）, Dorian GAUDIN（USA）, Joyce HO（TW）, Yu-Cheng HSIEH（TW）, Jui-Chien HSU（TW）, Chih-Sheng LAI（TW）, James Ming-Hsueh LEE（TW）, Jun-Qiang NIU（TW）, Craig QUINTERO X Riverbed Theatre（USA）, Yung-Chun SHIH（TW）, Ya-Hui WANG（TW）, Eric WATIER （FR）
Exhibition on line：https://martian.beauxarts.tw
FB: www.facebook.com/ToMartianAnthropologists/
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「給火星人類學家」展覽援引比利時藝評家蒂埃里・德・迪弗於《以藝術之名》中假想的未來場景，邀請藝術家在網路空間以及實體現場，為日後可能登陸地球的「火星人類學家」，留下可供其考察人類文明的各式線索。藝術家將以「網頁」作為作品實質發生的特定場所，實體場所則作為作品延伸的界面，佈署與線上作品遙相呼應的索引。
策展人：張君懿
藝術家：陳萬仁、齊簡、克羅德・克羅斯基、艾瑞克・瓦提耶、杜利安・高登、徐瑞謙、何采柔、澎葉生、賴志盛、時永駿、郭文泰 × 河床劇團、牛俊強、李明學、謝佑承、王雅慧。
線上展區：martian.beauxarts.tw
實體展區：新北市藝文中心｜展期：08/04-09/28
粉絲專頁：www.facebook.com/ToMartianAnthropologists/
The exhibition To Martian Anthropologists invokes the imaginary future scenes from In the Name of Art by the Belgic art critic, Thierry de Duve, and invites the artists to leave, both in cyberspace and in the physical venue, all kinds of clues for the martian anthropologists who might land on Earth someday to launch a field research on the human civilizations. For the artists, web pages will be the specific site where the artworks actually take place, and the physical venue serves as an extended interface and an index of deployment echoing remotely the online artworks.
Curator: Chun-Yi CHANG
Artist: Wan-Jen CHEN（TW）, Chien CHI（TW）, Claude CLOSKY（FR), Yannick DAUBY（FR）, Dorian GAUDIN（USA）, Joyce HO（TW）, Yu-Cheng HSIEH（TW）, Jui-Chien HSU（TW）, Chih-Sheng LAI（TW）, James Ming-Hsueh LEE（TW）, Jun-Qiang NIU（TW）, Craig QUINTERO X Riverbed Theatre（USA）, Yung-Chun SHIH（TW）, Ya-Hui WANG（TW）, Eric WATIER （FR）
Exhibition on line：https://martian.beauxarts.tw
FB: www.facebook.com/ToMartianAnthropologists/
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何采柔
何采柔主要從事的創作有影像、裝置、繪畫等類型，同時跨足劇場編導與劇場設計。她從平凡微小的日常行為，延伸出具超現實氛圍的作品，並且呈現人與現實之間，某種既親密又疏離的緊張關係。
20200610 / No Surprises
2020｜互動響應式網頁
無論是以繪畫、裝置或影像的方式創作，何采柔的作品總能以局部分解的動作、日常習慣的切片與豐富迷離的光影來呈現人與現實之間某種既親密又疏離的緊張關係。而這些獨特而強烈的創作一方面包圍著觀眾，卻又與其保持對峙的狀態，
_幾乎讓日常的片刻直接成為了一道風景或儀式。
20200610 ▸ https://martian.beauxarts.tw/artwork/joyce_ho_20200610
No Surprises ▸ https://martian.beauxarts.tw/artwork/joyce_ho_no_surprises
Joyce HO
Mainly engaged in video, installation and painting, the artist sets foot as well
in playwriting, directing and design in theatre. Her work with a surrealist aura
is extended from a focus on the insignificant daily routines and conveys an
intimate, yet alienated tension between human beings and reality.
20200610 / No Surprises
2020｜Interactive and responsive web page
With an illusion rich in light and shadow, the artistic conception aims to
integrate the deconstructed movements and fragmented slices of daily routines.
As such, the artist endeavors, whether in painting, installation or video, to
convey an intimate, yet alienated tensions between human beings and reality. The
singularly intensive creation simultaneously captivates and confronts viewers,
which renders almost immediately a quotidian moment into a piece of landscape or
a ritual.
20200610 ▸ https://martian.beauxarts.tw/artwork/joyce_ho_20200610
No Surprises ▸ https://martian.beauxarts.tw/artwork/joyce_ho_no_surprises
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