「給火星人類學家」展覽援引比利時藝評家蒂埃里・德・迪弗於《以藝術之名》中假想的未來場景，邀請藝術家在網路空間以及實體現場，為日後可能登陸地球的「火星人類學家」，留下可供其考察人類文明的各式線索。藝術家將以「網頁」作為作品實質發生的特定場所，實體場所則作為作品延伸的界面，佈署與線上作品遙相呼應的索引。
策展人：張君懿
藝術家：陳萬仁、齊簡、克羅德・克羅斯基、艾瑞克・瓦提耶、杜利安・高登、徐瑞謙、何采柔、澎葉生、賴志盛、時永駿、郭文泰 × 河床劇團、牛俊強、李明學、謝佑承、王雅慧。
線上展區：martian.beauxarts.tw
實體展區：新北市藝文中心｜展期：08/04-09/28
粉絲專頁：www.facebook.com/ToMartianAnthropologists/
The exhibition To Martian Anthropologists invokes the imaginary future scenes from In the Name of Art by the Belgic art critic, Thierry de Duve, and invites the artists to leave, both in cyberspace and in the physical venue, all kinds of clues for the martian anthropologists who might land on Earth someday to launch a field research on the human civilizations. For the artists, web pages will be the specific site where the artworks actually take place, and the physical venue serves as an extended interface and an index of deployment echoing remotely the online artworks.
Curator: Chun-Yi CHANG
Artist: Wan-Jen CHEN（TW）, Chien CHI（TW）, Claude CLOSKY（FR), Yannick DAUBY（FR）, Dorian GAUDIN（USA）, Joyce HO（TW）, Yu-Cheng HSIEH（TW）, Jui-Chien HSU（TW）, Chih-Sheng LAI（TW）, James Ming-Hsueh LEE（TW）, Jun-Qiang NIU（TW）, Craig QUINTERO X Riverbed Theatre（USA）, Yung-Chun SHIH（TW）, Ya-Hui WANG（TW）, Eric WATIER （FR）
Exhibition on line：https://martian.beauxarts.tw
FB: www.facebook.com/ToMartianAnthropologists/
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「給火星人類學家」展覽援引比利時藝評家蒂埃里・德・迪弗於《以藝術之名》中假想的未來場景，邀請藝術家在網路空間以及實體現場，為日後可能登陸地球的「火星人類學家」，留下可供其考察人類文明的各式線索。藝術家將以「網頁」作為作品實質發生的特定場所，實體場所則作為作品延伸的界面，佈署與線上作品遙相呼應的索引。
策展人：張君懿
藝術家：陳萬仁、齊簡、克羅德・克羅斯基、艾瑞克・瓦提耶、杜利安・高登、徐瑞謙、何采柔、澎葉生、賴志盛、時永駿、郭文泰 × 河床劇團、牛俊強、李明學、謝佑承、王雅慧。
線上展區：martian.beauxarts.tw
實體展區：新北市藝文中心｜展期：08/04-09/28
粉絲專頁：www.facebook.com/ToMartianAnthropologists/
The exhibition To Martian Anthropologists invokes the imaginary future scenes from In the Name of Art by the Belgic art critic, Thierry de Duve, and invites the artists to leave, both in cyberspace and in the physical venue, all kinds of clues for the martian anthropologists who might land on Earth someday to launch a field research on the human civilizations. For the artists, web pages will be the specific site where the artworks actually take place, and the physical venue serves as an extended interface and an index of deployment echoing remotely the online artworks.
Curator: Chun-Yi CHANG
Artist: Wan-Jen CHEN（TW）, Chien CHI（TW）, Claude CLOSKY（FR), Yannick DAUBY（FR）, Dorian GAUDIN（USA）, Joyce HO（TW）, Yu-Cheng HSIEH（TW）, Jui-Chien HSU（TW）, Chih-Sheng LAI（TW）, James Ming-Hsueh LEE（TW）, Jun-Qiang NIU（TW）, Craig QUINTERO X Riverbed Theatre（USA）, Yung-Chun SHIH（TW）, Ya-Hui WANG（TW）, Eric WATIER （FR）
Exhibition on line：https://martian.beauxarts.tw
FB: www.facebook.com/ToMartianAnthropologists/
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時永駿
時永駿的創作類型涵蓋繪畫、雕塑、裝置、攝影與文字，以探討日常生活的私人經驗及人類行為作為主軸，作品形式大多以電影與戲劇的拍攝手法進行前置作業，近年來多以計畫型展演發表。
家庭劇院
2020｜互動響應式網頁
居家裡的「風景」令人感到神秘，它們成形的方式相當微妙，除了因實用性而存在，也為了裝飾目的，以及一些因個人喜好而產生的無以名狀、難以歸類的陳列方式，未曾有什麼道理可言。最近「居家隔離」或是「避免群聚」變得非常普遍，人們待在家裡的時間變長了，日常物件突然之間變得更貼近我們。在《家庭劇院》裡，日常物件與人的角色關係切換了原本的對應關係；從原來的理所當然，轉而串連起好幾幕日常故事：櫃子裡、沙發上、冰箱裡、通往二樓的樓梯轉角處。在我們避免戶外接觸的同時，無意之間卻在私有的居家室內拉近了距離，原本存於日常中的微小，在此刻被放大，就在離我們很近的眼前，隨手可得。
https://martian.beauxarts.tw/artwork/shih_yungchun_home_theater
Yung-Chun SHIH
Mainly engaged in painting, sculpture, installation, photography and writing,
the artist explores private experiences in daily life and human behaviors as the
major axis. A photographing technique of films and dramas as a preparatory
process is employed in most of his works. In recent years, he has published his
creation in project-based performances.
Home Theater
2020｜Interactive and responsive web page
Mysteriously formed with subtlety, the household “landscape” has never been
justified, except for the purposes of both utility and decoration, and for
personal tastes of arrangement, inexplicable and difficult to categorize.
Recently, “household isolation” or “gathering ban” has become common to all. We
stay longer at home and, all of a sudden, the daily objects are getting closer
to us. In Home Theater, the relationship or correspondence between daily objects
and human beings has been changed. Several snapshots of the daily are connected
out of a matter of course: in the closet, on the sofa, in the refrigerator, on
the corner of the stairs to the second floor. Avoiding outdoor contacts, we
inadvertently shorten the distance inside the private residence. The quotidian
tininess, thus magnified at this moment, is right in front of our eyes, within
reach.
https://martian.beauxarts.tw/artwork/shih_yungchun_home_theater
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