「給火星人類學家」展覽援引比利時藝評家蒂埃里・德・迪弗於《以藝術之名》中假想的未來場景，邀請藝術家在網路空間以及實體現場，為日後可能登陸地球的「火星人類學家」，留下可供其考察人類文明的各式線索。藝術家將以「網頁」作為作品實質發生的特定場所，實體場所則作為作品延伸的界面，佈署與線上作品遙相呼應的索引。
策展人：張君懿
藝術家：陳萬仁、齊簡、克羅德・克羅斯基、艾瑞克・瓦提耶、杜利安・高登、徐瑞謙、何采柔、澎葉生、賴志盛、時永駿、郭文泰 × 河床劇團、牛俊強、李明學、謝佑承、王雅慧。
線上展區：martian.beauxarts.tw
實體展區：新北市藝文中心｜展期：08/04-09/28
粉絲專頁：www.facebook.com/ToMartianAnthropologists/
The exhibition To Martian Anthropologists invokes the imaginary future scenes from In the Name of Art by the Belgic art critic, Thierry de Duve, and invites the artists to leave, both in cyberspace and in the physical venue, all kinds of clues for the martian anthropologists who might land on Earth someday to launch a field research on the human civilizations. For the artists, web pages will be the specific site where the artworks actually take place, and the physical venue serves as an extended interface and an index of deployment echoing remotely the online artworks.
Curator: Chun-Yi CHANG
Artist: Wan-Jen CHEN（TW）, Chien CHI（TW）, Claude CLOSKY（FR), Yannick DAUBY（FR）, Dorian GAUDIN（USA）, Joyce HO（TW）, Yu-Cheng HSIEH（TW）, Jui-Chien HSU（TW）, Chih-Sheng LAI（TW）, James Ming-Hsueh LEE（TW）, Jun-Qiang NIU（TW）, Craig QUINTERO X Riverbed Theatre（USA）, Yung-Chun SHIH（TW）, Ya-Hui WANG（TW）, Eric WATIER （FR）
Exhibition on line：https://martian.beauxarts.tw
FB: www.facebook.com/ToMartianAnthropologists/
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「給火星人類學家」展覽援引比利時藝評家蒂埃里・德・迪弗於《以藝術之名》中假想的未來場景，邀請藝術家在網路空間以及實體現場，為日後可能登陸地球的「火星人類學家」，留下可供其考察人類文明的各式線索。藝術家將以「網頁」作為作品實質發生的特定場所，實體場所則作為作品延伸的界面，佈署與線上作品遙相呼應的索引。
策展人：張君懿
藝術家：陳萬仁、齊簡、克羅德・克羅斯基、艾瑞克・瓦提耶、杜利安・高登、徐瑞謙、何采柔、澎葉生、賴志盛、時永駿、郭文泰 × 河床劇團、牛俊強、李明學、謝佑承、王雅慧。
線上展區：martian.beauxarts.tw
實體展區：新北市藝文中心｜展期：08/04-09/28
粉絲專頁：www.facebook.com/ToMartianAnthropologists/
The exhibition To Martian Anthropologists invokes the imaginary future scenes from In the Name of Art by the Belgic art critic, Thierry de Duve, and invites the artists to leave, both in cyberspace and in the physical venue, all kinds of clues for the martian anthropologists who might land on Earth someday to launch a field research on the human civilizations. For the artists, web pages will be the specific site where the artworks actually take place, and the physical venue serves as an extended interface and an index of deployment echoing remotely the online artworks.
Curator: Chun-Yi CHANG
Artist: Wan-Jen CHEN（TW）, Chien CHI（TW）, Claude CLOSKY（FR), Yannick DAUBY（FR）, Dorian GAUDIN（USA）, Joyce HO（TW）, Yu-Cheng HSIEH（TW）, Jui-Chien HSU（TW）, Chih-Sheng LAI（TW）, James Ming-Hsueh LEE（TW）, Jun-Qiang NIU（TW）, Craig QUINTERO X Riverbed Theatre（USA）, Yung-Chun SHIH（TW）, Ya-Hui WANG（TW）, Eric WATIER （FR）
Exhibition on line：https://martian.beauxarts.tw
FB: www.facebook.com/ToMartianAnthropologists/
Powered by Firstory Hosting
李明學
李明學反轉生活周遭物件的使用方式，轉換其外觀造型或被觀看的角度，在探索當代藝術的可能性上，創造出輕盈的另類解讀。他以幽默的手法，重新檢視媒體、教育與社會框架下，對各種事物／物件的慣性理解。
遙望的空洞
2020｜互動響應式網頁
人們總傾向相信「呈現」所帶來的一切，無論是透過視覺上所謂的「有圖有真相」，或是任何有形的證據紀錄，都是「眼見為憑」所衍生出的意識形態。講究科學邏輯的「呈現」，攻佔了人們大部分的生活，然而，作為「呈現」反面的「缺席」所連繫的無形情感，抑或是稍縱即逝的無法描述，卻成了一個難以遙望的空洞。令人感到可怕的是，這種空洞並非不存在，而是人們的視而不見。
https://martian.beauxarts.tw/artwork/james_minghsueh_lee_distant_hollow
James Ming-Hsueh LEE
His work often spotlights on the objects found in all sorts of stores. With a
penetrating sense of humor, he reexamines and challenges the conventional
understanding of ‘things’ indoctrinated by the media, education and society.
Through reversing the concept of objects--correct usage, appearance or human
perception, the artist is able to offer refreshing and amusing interpretations
so as to explore other possibilities of contemporary art.
Distant Hollow
2020｜Interactive and responsive web page
As always, people are inclined to believe what the “presentation” brings about,
whether by visual effects, as the saying goes — “Pictures don't lie,” or by
recorded evidence of any physical form: each bears an ideology derived from “To
see is to believe.” The “presentation” with a meticulous logic of science has
invaded most people's lives, and yet, in contrast to the “presentation,” the
“absence” connected to invisible emotions or fleeting descriptions beyond words
becomes a distant hollow hard to glance over. It is frightening that the hollow
is not non-existential, but people chose to ignore it deliberately.
https://martian.beauxarts.tw/artwork/james_minghsueh_lee_distant_hollow
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