徐瑞謙
徐瑞謙從雕塑的學習背景出發，擅長運用不同質性的媒材，在空間中進行裝置創作。他讓物件彼此充滿張力，可能呈現和諧且充滿共鳴的關係，也或許暗藏著模糊與矛盾。

澎葉生
聲音藝術家澎葉生，利用周邊物件、電聲與表音文字來進行創作，對動物、大自然、城市以及異常的聲音現象著迷。他同時和視覺藝術家、舞蹈家合作並設計電影音效。自2007年起長居臺灣，探索島上的「音」景，與生物學家共同進行藝術與科學的計畫。

材料行
2020｜互動響應式網頁
此作品從藝術家徐瑞謙曾使用過的材料著手，建構一個如同建材行裡分類得當的型錄，但材料沒有常規的尺寸或說明，而是以各自的「聲響」取代。各品項在介面中被使用者滑動、抽取與挑選，像是參與藝術家創作前篩選媒介的過程。那些在型錄中的媒材，並非各自為政，而更像是一個個團塊，在數位的彼端躍躍欲試地等待，等待被擷取，等待一個未來的觸動。
https://martian.beauxarts.tw/artwork/hsu_juichien_yannick_dauby_material_store


Jui-Chien HSU
Starting from sculpture, the artist is good at employing the media of different
natures for installations in space. A tension created between objects, which
might depict not only a harmonious relationship, full of resonances, but an
implied ambiguity and contradiction.

Yannick DAUBY
Background in musique concrete and improvisation, the sound artist uses found
objects, electroacoustic devices and phonographies for creation. As a field
recordist, he has particular interest for animals or nature sounds as well as
urban situations and unusual acoustic phenomenon.He often collaborates with
other musicians, visual artists and dancers and makes sound design for films.
Based in Taiwan since 2007, he keeps exploring the island’s soundscape and
creating art & science projects with biologists.

Material Store
2020｜Interactive and responsive web page
The artist conceives the work from the media he employed and constructs a
catalogue well classified like that in a building materials company. Instead of
the conventional sizes or desciptions of the materials, it contains all sorts
of“sounds.” _Users draw, extract and select each item on the interface, as if
they were part of an artist's material selection for an unborn creation. The
media in the catalogue are not separate, independent parts, but more like a
clump, waiting eagerly to be captured and for a future touch in a digital
beyond.
https://martian.beauxarts.tw/artwork/hsu_juichien_yannick_dauby_material_store

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